The Absent One: Mourning Ritual, Tragedy, and the Performance of AmbivalencePenn State Press, 01.11.2010 |
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... play The recurrence of these interrelated motifs , as I will show , suggests an unexpected continuity in the tradition of tragic drama up to the present moment . My book proposes an original , but not an esoteric , view of tragedy . Far ...
... play The recurrence of these interrelated motifs , as I will show , suggests an unexpected continuity in the tradition of tragic drama up to the present moment . My book proposes an original , but not an esoteric , view of tragedy . Far ...
Seite 3
... play which can only be understood in the context of its close kinship with mourning ritual . Here I suggest that The Persians be viewed not in the light of its supposed imperfections and deficiencies as classical Greek drama but as a ...
... play which can only be understood in the context of its close kinship with mourning ritual . Here I suggest that The Persians be viewed not in the light of its supposed imperfections and deficiencies as classical Greek drama but as a ...
Seite 4
... play into melodrama to save it from melodrama . Mrs. Alving's cry at the end of the play is not simply the beginning of a mourning process : it is the irreduc- ible form of the tragic protagonist's performance of ambivalence . Chapter 6 ...
... play into melodrama to save it from melodrama . Mrs. Alving's cry at the end of the play is not simply the beginning of a mourning process : it is the irreduc- ible form of the tragic protagonist's performance of ambivalence . Chapter 6 ...
Seite 6
... play . Phaedra is not the central mourner , not really the protagonist , in her play : she is an instructor in mourning : a " metaprotagonist " who makes possible the young hero's inheritance of his role as tragic protagonist . In ...
... play . Phaedra is not the central mourner , not really the protagonist , in her play : she is an instructor in mourning : a " metaprotagonist " who makes possible the young hero's inheritance of his role as tragic protagonist . In ...
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Inhalt
Ritual Performance of Mourning in Three Cultures | 9 |
The Grave of Origins Aeschyluss The Persians | 29 |
Maimèd Rites Shakespeares Hamlet | 41 |
The Impossible Return Racines Phèdre | 61 |
Inheriting Everything Ibsens Ghosts | 75 |
A Lot of Fuss About Nothing Ionescos Exit The King | 85 |
The Rehearsal of Mourning Chaikins Trespassing | 101 |
Examples and Counterexamples | 115 |
Notes | 167 |
175 | |
181 | |
Andere Ausgaben - Alle anzeigen
The Absent One: Mourning Ritual, Tragedy, and the Performance of Ambivalence Susan L. Cole Keine Leseprobe verfügbar - 1991 |
Häufige Begriffe und Wortgruppen
absence actor Aeschylus's Alving's Anna Anna's antic disposition antiphonal Aricia attempt audience become Berenger Berenger's Biff body Brabantio Chaikin child Chorus Claudius Claudius's Clov context Cordelia daimon Darius dead father deceased Desdemona displaced dream dying Edgar enactment enɔdiarhaya Exit the King expressed father-figure father-king final Fortinbras funeral funerary ritual ghost grave Greek tragedy grief Hamlet Hamm Hickey Hippolytus Hippolytus's Horatio impulse inheritance Ionesco kind kong-tiek Laertes Lear liminal journey liminal realm liminal space living loss Macbeth Marguerite mother mourner mourning ritual murder Neoptolemus Oedipus Oedipus at Colonus Oedipus the King Oedipus's Ophelia Oswald Othello paradox performance of ambivalence Persians Phaedra Phèdre Philoctetes play Podlecki Polyneices present Queen rehearsal relationship revenge rites ritual lament ritual mourning role says scene seems sense sexual son's song speech stage symbolic Theseus Theseus's thou Tina tion tomb tragic drama tragic protagonist Trespassing Willy woman Xerxes
Verweise auf dieses Buch
Bearing Witness: Violence and Collective Responsibility Sandra L. Bloom,Michael Reichert Eingeschränkte Leseprobe - 1998 |
Raising the Dead: Readings of Death and (Black) Subjectivity Sharon Patricia Holland Eingeschränkte Leseprobe - 2000 |