Othello and Interpretive TraditionsDuring the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Othello in Theatrical and Critical History | 11 |
Disconfinuation | 30 |
lago | 53 |
The Fall of Othello | 79 |
The Pity Act | 113 |
Death without Transfiguration | 141 |
Interpretation as Contamination | 169 |
Character Endures | 183 |
Notes | 193 |
Works Cited | 231 |
247 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
According acknowledge action Actors allows apparently argument audience authority become beginning belief Bianca Booth Brabantio Bradley Cassio century chapter character claim Coleridge consequence context critical cultural described Desdemona designed desire discussion distinction earlier early effect emphasis evidence experience fact feel final follow gives going hand Honigmann human Iago Iago's idea identity imagination interest interpretive kind lago lago's later least less literary look matter meaning mind Moor murder nature never nineteenth-century once original Othello passage performance perhaps play play's position practice probably problem production question quoted refers remarks Renaissance represented response role says scene seems sense sexual Shakespeare similar speak speech stage suggests sustained theatrical thing thought tion tradition tragedy turn understand women