X. THE SOURCE OF THE DANUBE.* Nor, like his great compeers, indignantly Mounts on rapt wing, and with a moment's flight When the first Ship sailed for the Golden Fleece - To fix in heaven her shape distinct with stars. XI. MEMORIAL, NEAR THE OUTLET OF THE LAKE OF THUN. "DEM ANDENKEN MEINES FREUNDES ALOYS REDING MDCCCXVIII.” Aloys Reding, it will be remembered, was Captain-General of the Swiss forces, which, with a courage and perseverance worthy of the cause, opposed the flagitious and too successful attempt of Buonaparte to subjugate their country. AROUND a wild and woody hill A gravelled pathway treading, We reached a votive Stone that bears Well judged the Friend who placed it there And haply with a finer care The Sun regards it from the West; He sets, his sinking yields a type * Before this quarter of the Black Forest was inhabited, the source of the Danube might have suggested some of those sublime images which Armstrong has so finely described; at present, the contrast is most striking. The spring appears in a capacious stone basin in front of a Ducal palace, with a pleasure-ground opposite; then passing under the pavement, takes the form of a little, clear, bright, black, vigorous rill, barely wide enough to tempt the agility of a child five years old to leap over it, and entering the garden, it joins, after a course of a few hundred yards, a stream much more considerable than itself. The copiousness of the spring at Doneschingen must have procured for it the honour of being named the Source of the Danube. And oft he tempts the patriot Swiss Amid the grove to linger; Till all is dim, save this bright Stone Touched by his golden finger. XII. COMPOSED IN ONE OF THE CATHOLIC DOOMED as we are our native dust I love, where spreads the village lawn Where'er we roam-along the brak AFTER-THOUGHT. On Life! without thy chequered scene For faith 'mid ruined hopes, serene? Pain entered through a ghastly breach XIII. ON APPROACHING THE STAUB-BACH UTTERED by whom, or how inspired-designed Ard Idleness in tatters mendicant Te train should flow-free fancy to enthral, And with regret and useless pity haunt budd, this pure, this sky-born Waterfall !* Upon a Sister's shoulder laid, - XIV. THE FALL OF THE AAR-HANDEC. From the fierce aspect of this River throwing Nor doubt but HE to whom yon Pine-trees nod XV. SCENE ON THE LAKE OF BRIENTZ. “WHAT know we of the blest above But that they sing and that they love?" Yet, if they ever did inspire A mortal hymn, or shaped the choir, Now, where those harvest Damsels float Homeward in their rugged Boat, (While all the ruffling winds are fled, Each slumbering on some mountain's head,) Now, surely, hath that gracious aid Been felt, that influence is displayed. Pupils of Heaven, in order stand The rustic Maidens, every hand The Sub-bach" is a narrow Stream, which, after a long the heights, comes to the sharp edge of a somewhat watawag pescipice, overleaps it with a bound, and, after a D0 feet, forms again a rivulet. The vocal powers of femural Begrars may seem to be exaggerated; but this vd and savage air was utterly unlike any sounds I had ever beard, the notes reached me from a distance, and on what they were sung I could not guess, only they seemed * 'wing, in some way or other, to the Waterfall—and remaved me of religious services chanted to Streams and Foun10 in Paran times. Mr. Southey has thus accurately cha ed the peculiarity of this music: "While we were at the fall some half-score peasants, chiefly women and girls, *bed just out of reach of the Spring, and set up,-surely, wildest chorus that ever was heard by human ears, — a eng sot of articulate sounds, but in which the voice was used * instrument of music, more flexible than any which mid produce,—sweet, powerful, and thrilling beyond de*7" See Notes to A Tale of Paraguay." 2 L XVI. ENGELBERG, THE HILL OF ANGELS.+ FOR gentlest uses, oft-times Nature takes The work of Fancy from her willing hands; And such a beautiful creation makes As renders needless spells and magic wands, And for the boldest tale belief commands. When first mine eyes beheld that famous Hill The sacred ENGELBERG, celestial Bands, With intermingling motions soft and still, Hung round its top, on wings that changed their hues at will. Clouds do not name those Visitants; they were The very Angels whose authentic lays, Sung from that heavenly ground in middle air, My ears did listen, 't was enough to gaze; XVII. OUR LADY OF THE SNOW. MEEK Virgin Mother, more benign These crowded Offerings as they hang To Thee, in this aërial cleft, + The Convent whose site was pointed out, according to tradition, in this manner, is seated at its base. The Architecture of the Building is unimpressive, but the situation is worthy of the honour which the imagination of the Mountaineers has conferred upon it. + Mount Righi. 24* Roused into fury, murmur a soft tune How blest the souls who when their trials come But face like that sweet Boy their mortal doom. XIX. THE TOWN OF SCHWYTZ. By antique Fancy trimmed though lowly, bred XX. ON HEARING THE "RANZ DES VACHES," ON THE I LISTEN - but no faculty of mine * Nearly 500 years (says Ebel, speaking of the French Inve sion,) had elapsed, when, for the first time, foreign soldiers were seen upon the frontiers of this small Canton, to impose upon the laws of their governors. XXI. THE CHURCH OF SAN SALVADOR, SEEN FROM THE LAKE OF LUGANO. For victory shaped an open space, The Church was almost destroyed by lightning a few years but the Altar and the Image of the Patron Saint were uned. The Mount, upon the summit of which the Church is stands amid the intricacies of the Lake of Lugano; and is, hundred points of view, its principal ornament, rising to beight of 2000 feet, and, on one side, nearly perpendicular. The ascent is toilsome; but the traveller who performs it will be angry rewarded.—Splendid fertility, rich woods and dazzling seclusion and confinement of view contrasted with seaextent of plain fading into the sky; and this again, in an equate quarter, with an horizon of the loftiest and boldest Alps - in composing a prospect more diversified by magnifience, beauty, and sublimity, than perhaps any other point in Large, of so inconsiderable an elevation, commands. XXII. FORT FUENTES. The Ruins of Fort Fuentes form the crest of a rocky eminence that rises from the plain at the head of the Lake of Como, commanding views up the Valteline, and toward the town of Chiavenna. The prospect in the latter direction is characterised by melancholy sublimity. We rejoiced at being favoured with a distinct view of those Alpine heights; not, as we had ex pected from the breaking up of the storm, steeped in celestial glory, yet in communion with clouds floating or stationaryscatterings from heaven. The Ruin is interesting both in mass and in detail. An Inscription, upon elaborately-sculptured marble lying on the ground, records that the Fort had been erected by Count Fuentes in the year 1600, during the reign of Philip the Third; and the Chapel, about twenty years after, by one of his Descendants. Marble pillars of gateways are yet standing, and a considerable part of the Chapel walls: a smooth green turf has taken place of the pavement, and we could see no trace of altar or image; but every where something to remind one of former splendour, and of devastation and tumult. In our ascent we had passed abundance of wild vines intermingled with bushes near the ruins were some ill-tended, but growing willingly; and rock, turf, and fragments of the pile, are alike covered or adorned with a variety of flowers, among which the rose-coloured pink was growing in great beauty. While descending, we discovered on the ground, apart from the path, and at a considerable distance from the ruined Chapel, a statue of a Child in pure white marble, uninjured by the explosion that had driven it so far down the hill. "How little," we exclaimed, "are these things valued here! Could we but transport this pretty Image to our own garden!"-Yet it seemed it would have been a pity any one should remove it from its couch in the wilderness, which may be its own for hundreds of years. Extract from Journal. DREAD hour! when, upheaved by war's sulphurous blast, This sweet-visaged Cherub of Parian stone So far from the holy enclosure was cast, To couch in this thicket of brambles alone; To rest where the lizard may bask in the palm Of his half-open hand pure from blemish or speck; And the green, gilded snake, without troubling the calm Of the beautiful countenance, twine round his neck. Where haply (kind service to Piety due!) When winter the grove of its mantle bereaves, Some Bird (like our own honoured Redbreast) may strew The desolate Slumberer with moss and with leaves. *Arnold Winkelried, at the battle of Sempach, broke an Austrian phalanx in this manner. The event is one of the most famous in the annals of Swiss heroism; and pictures and prints of it are frequent throughout the country But thou, perhaps, (alert and free Though robbed of many a cherished dream, In the proud Isle of Liberty! Yet will the Wanderer sometimes pine With thoughts which no delights can chase, Recall a Sister's last embrace, His Mother's neck entwine; Nor shall forget the Maiden coy That would have loved the bright-haired Boy! 3. My Song, encouraged by the grace That through the jealous leaves escapes As with a rapture caught from heaven, PART IL 1. WITH nodding plumes, and lightly drest A startling thunder quick and short! On their Descendants shedding grace, |