Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 70Gale Research Company, 1984 |
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... sense , of course , in Jacobean London as today , theatre was very much a part of that ' real life ' . It was a flourishing commercial enterprise in competition with other businesses to attract audiences ; and the actor who declared the ...
... sense , of course , in Jacobean London as today , theatre was very much a part of that ' real life ' . It was a flourishing commercial enterprise in competition with other businesses to attract audiences ; and the actor who declared the ...
Página 175
... sense of the heroic , and even the sense of the kinship to the gods ( by Theseus ' reference to Hercules as his " kinsman " ) . ( V , i , 43ff ) . Even so , on balance , there is a great tension with the persistent sobriety of the ...
... sense of the heroic , and even the sense of the kinship to the gods ( by Theseus ' reference to Hercules as his " kinsman " ) . ( V , i , 43ff ) . Even so , on balance , there is a great tension with the persistent sobriety of the ...
Página 179
... sense of sight , the sense that is utterly dependent for its function on the existence of external light ( whether the sun , in the natural realm , or a lantern , in the artificial realm ) . That Bottom's sojourn in the fairies ' realm ...
... sense of sight , the sense that is utterly dependent for its function on the existence of external light ( whether the sun , in the natural realm , or a lantern , in the artificial realm ) . That Bottom's sojourn in the fairies ' realm ...
Conteúdo
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Direitos autorais | |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's