Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 70Gale Research Company, 1984 |
De dentro do livro
Resultados 1-3 de 90
Página 182
... reason being simultaneously exempt from , yet naturally charmed by , the imagined transformations wrought on Bottom and Titania . But the comic effect's basis comes into view only when the charm gives way to reason's natural function of ...
... reason being simultaneously exempt from , yet naturally charmed by , the imagined transformations wrought on Bottom and Titania . But the comic effect's basis comes into view only when the charm gives way to reason's natural function of ...
Página 186
... reason " usually loses out to the presum- ably warmer imagination.2 Though both views suffer from the absence of a clear example of dramatized " reason " in the play , the rational- irrational love dichotomy is particularly vulnerable ...
... reason " usually loses out to the presum- ably warmer imagination.2 Though both views suffer from the absence of a clear example of dramatized " reason " in the play , the rational- irrational love dichotomy is particularly vulnerable ...
Página 187
... reason , just as no scenes illustrate a world of reason as opposed to a world of imagination . And this deficiency is to be expected , since Shakespeare's comedies , as well as his tragedies , are devoted to showing that reason and ...
... reason , just as no scenes illustrate a world of reason as opposed to a world of imagination . And this deficiency is to be expected , since Shakespeare's comedies , as well as his tragedies , are devoted to showing that reason and ...
Conteúdo
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Direitos autorais | |
11 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's