Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 70Gale Research Company, 1984 |
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... male authority . Her death underlines her unsuccessful attempts to use specifically male means to power . Cleopatra is represented as adopting neither the " morally correct " behavior of Octavia , nor the military power of Fulvia . In ...
... male authority . Her death underlines her unsuccessful attempts to use specifically male means to power . Cleopatra is represented as adopting neither the " morally correct " behavior of Octavia , nor the military power of Fulvia . In ...
Página 309
... male writer ( s ) who could " aspire to him " ( Pro . 23 ) . The audience , moreover , asked to help the play - producing swimmers or sailors ( again plainly men ) , would also seem to be imagined as men in a male environment . Compare ...
... male writer ( s ) who could " aspire to him " ( Pro . 23 ) . The audience , moreover , asked to help the play - producing swimmers or sailors ( again plainly men ) , would also seem to be imagined as men in a male environment . Compare ...
Página 338
... male friend- ship , and the realities of male relations and kinship bonds in Jacobean England . ] Critics have never been happy with The Two Noble Kins- men . ' It has traditionally been regarded as an unsatisfac- tory play ...
... male friend- ship , and the realities of male relations and kinship bonds in Jacobean England . ] Critics have never been happy with The Two Noble Kins- men . ' It has traditionally been regarded as an unsatisfac- tory play ...
Conteúdo
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Direitos autorais | |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's