Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 70Gale Research Company, 1984 |
De dentro do livro
Resultados 1-3 de 83
Página 70
... later be subordinated to the exigencies of plot , but at the outset it is emphasized in order to establish it firmly . We might say that Shakespeare started by offering a set of contrasts , some of whose components he later altered as ...
... later be subordinated to the exigencies of plot , but at the outset it is emphasized in order to establish it firmly . We might say that Shakespeare started by offering a set of contrasts , some of whose components he later altered as ...
Página 227
... later stages of the play to ac- cept Bolingbroke , though he ultimately accepts him on other grounds . After the encounter between Richard and Gaunt and after Gaunt is removed , Richard announces his intent to confiscate and use the ...
... later stages of the play to ac- cept Bolingbroke , though he ultimately accepts him on other grounds . After the encounter between Richard and Gaunt and after Gaunt is removed , Richard announces his intent to confiscate and use the ...
Página 271
... later , on July 13 , 1600 , the author was imprisoned . In that same July , according to Dudley Carleton , because of Hayward's book the queen also took away from Essex the liberty of leaving London that she had granted him hitherto ...
... later , on July 13 , 1600 , the author was imprisoned . In that same July , according to Dudley Carleton , because of Hayward's book the queen also took away from Essex the liberty of leaving London that she had granted him hitherto ...
Conteúdo
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Direitos autorais | |
11 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's