Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 70Gale Research Company, 1984 |
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Página 107
... imagination and much else , and Hippolyta is right ; and ( 3 ) Theseus himself is an " antique " figment of imagination and therefore a butt of his own joke . But “ antic fables ” — bizarre narratives - is almost certainly correct ...
... imagination and much else , and Hippolyta is right ; and ( 3 ) Theseus himself is an " antique " figment of imagination and therefore a butt of his own joke . But “ antic fables ” — bizarre narratives - is almost certainly correct ...
Página 171
... imagination ( 5.1.2-22 ) . Bottom and Theseus - so unutterably different , yet so curiously alike . Each has the desire , and the capacity , to play many parts . Each is extraordinarily alive , and yet each achieves a kind of repose ...
... imagination ( 5.1.2-22 ) . Bottom and Theseus - so unutterably different , yet so curiously alike . Each has the desire , and the capacity , to play many parts . Each is extraordinarily alive , and yet each achieves a kind of repose ...
Página 187
... imagination in art that Hippolyta's speech and Shake- speare's ars poetica call for . But though the reconciliation of reason and imagination remains an important theme , it is not the major concern of the play . In order to be a ...
... imagination in art that Hippolyta's speech and Shake- speare's ars poetica call for . But though the reconciliation of reason and imagination remains an important theme , it is not the major concern of the play . In order to be a ...
Conteúdo
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Direitos autorais | |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's