Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 70Gale Research Company, 1984 |
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... final contemptuous image of Octavius : " O , couldst thou speak , that I might hear thee call great Caesar ass , / Unpolicied ! " ( V.ii.305-307 ) . In spite of Cleopatra's final scathing assessment of the character of Octavius , it is ...
... final contemptuous image of Octavius : " O , couldst thou speak , that I might hear thee call great Caesar ass , / Unpolicied ! " ( V.ii.305-307 ) . In spite of Cleopatra's final scathing assessment of the character of Octavius , it is ...
Página 64
... final scene , her vision of death has enlarged : My desolation does begin to make A better life . ' Tis paltry to be Caesar . Not being Fortune , he's but Fortune's knave , A minister of her will . And it is great To do that thing that ...
... final scene , her vision of death has enlarged : My desolation does begin to make A better life . ' Tis paltry to be Caesar . Not being Fortune , he's but Fortune's knave , A minister of her will . And it is great To do that thing that ...
Página 319
... final spectacle since she is " the price and garland / To crown the question's title " ( 5.3.16-17 ) . Allowing Theseus's metaphor of herself as the " treasure " that " gives the service pay , " she will nevertheless deny that she must ...
... final spectacle since she is " the price and garland / To crown the question's title " ( 5.3.16-17 ) . Allowing Theseus's metaphor of herself as the " treasure " that " gives the service pay , " she will nevertheless deny that she must ...
Conteúdo
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Direitos autorais | |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's