Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 70Gale Research Company, 1984 |
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Página 74
... Roman who snaps at Cleopatra with a contempt worthy of Caesar : " I found you as a morsel cold upon / Dead Caesar's trencher " ( ll . 116-17 ) ? Or is Antony " himself again " ( as Cleopatra believes , 11 . 186-87 ) when he says " come ...
... Roman who snaps at Cleopatra with a contempt worthy of Caesar : " I found you as a morsel cold upon / Dead Caesar's trencher " ( ll . 116-17 ) ? Or is Antony " himself again " ( as Cleopatra believes , 11 . 186-87 ) when he says " come ...
Página 82
... Roman policy decides the order of events and the order therefore of these important private lives . The play begins and ends with expressions of the Roman point of view ; by Roman standards , Antony perishes for his failure as a Roman ...
... Roman policy decides the order of events and the order therefore of these important private lives . The play begins and ends with expressions of the Roman point of view ; by Roman standards , Antony perishes for his failure as a Roman ...
Página 92
... Roman , but he bungled his death all the same , both by letting Eros die before him , and by not killing himself outright . However significant the " eleva- tion " of Antony into Cleopatra's tomb , it is an awkward business ; the ...
... Roman , but he bungled his death all the same , both by letting Eros die before him , and by not killing himself outright . However significant the " eleva- tion " of Antony into Cleopatra's tomb , it is an awkward business ; the ...
Conteúdo
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Direitos autorais | |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's