America's Musical Life: A HistoryThe fascinating story of music in the United States, from the sacred music of its earliest days to the jazz and rock that enliven the turn of the millennium. Richard Crawford leads us along the widely varied paths taken by American music, beginning with that of Native Americans and continuing with traditions introduced by Spanish, French, and English colonizers; Africans brought here as slaves; and other immigrants. He shows how the three spheres of folk, popular, and classical music continually interact to form a variegated whole. Throughout, the music is set in historical and social context. America's Musical Life strikes a balance in presenting general background and highlighting individual composers, performers, and pieces of music. We learn how sacred music-making coexisted with secular song and dance in the colonies; how nineteenth-century commerce ruled the publication of parlor music; and how the twentieth century introduced an incredibly rich array of styles, encompassing blues, jazz, sound tracks, folk revival, swing, minimalism, rock, and hip-hop, to name just a few, as well as the music of Charles Ives, George Gershwin, Duke Ellington, and Sarah Vaughan--the list is endless. Bringing order to this cacophony, America's Musical Life gives us a highly readable and informative account of this country's rich musical traditions. |
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AMERICA'S MUSICAL LIFE: A History
Comentário do usuário - KirkusA superb, all-encompassing survey of music in America.The US has the most diverse and complex musical culture in the world, mostly because all the rest of the world is its source. Over the last 150 ... Ler resenha completa
America's musical life: a history
Comentário do usuário - Not Available - Book VerdictHere, Crawford (Glen McGeoch Collegiate Professor of Music, Univ. of Michigan; former president, American Musicological Society) has assembled a comprehensive tome poised to supersede all previous ... Ler resenha completa
Conteúdo
The First Song Native American Music | 3 |
European Inroads Early Christian Music Making | 15 |
From Ritual to Art The Flowering of Sacred Music | 29 |
Old Simple Ditties Colonial Song Dance and Home Music Making | 56 |
Performing By Particular Desire Colonial Military Concert and Theater Music | 83 |
Maintaining Oral Traditions African Music in Early America | 102 |
Correcting the Harshness of Our Singing New England Psalmody Reformed | 125 |
The Nineteenth Century | 137 |
After the Ball The Rise of Tin Pan Alley | 471 |
The Twentieth Century | 493 |
To Stretch Our Ears The Music of Charles Ives | 495 |
Come On and Hear The Early Twentieth Century | 524 |
The Jazz Age Dawns Blues Jazz and a Rhapsody | 557 |
The Birthright of All of Us Classical Music the Mass Media and the Depression | 580 |
All That Is Native and Fine American Folk Song and Its Collectors | 597 |
From New Orleans to Chicago Jazz Goes National | 619 |
Edification and Economics The Career of Lowell Mason | 139 |
Singing Praises Southern and Frontier Devotional Music | 156 |
Be It Ever So Humble Theater and Opera 18001860 | 173 |
Blacks Whites and the Minstrel Stage | 196 |
Home Music Making and the Publishing Industry | 221 |
From Ramparts to Romance Parlor Songs 18001865 | 240 |
Of Yankee Doodle and Ophicleides Bands and Orchestras 1800 to the 1870s | 272 |
From Church to Concert Hall The Rise of Classical Music | 293 |
From Log House to Opera House Anthony Philip Heinrich and William Henry Fry | 314 |
A New Orleans Original Gottschalk of Louisiana | 331 |
Two Classic Bostonians George W Chadwick and Amy Beach | 351 |
Edward MacDowell and Musical Nationalism | 372 |
Travel in the Winds Native American Music from 1820 | 387 |
Make a Noise Slave Songs and Other Black Music to the 1880s | 407 |
Songs of the Later Nineteenth Century | 430 |
Stars Stripes and Cylinders Sousa the Band and the Phonograph | 453 |
Crescendo in Blue Ellington Basie and the Swing Band | 641 |
The Golden Age of the American Musical | 664 |
Classical Music in the Postwar Years | 689 |
Rock Around the Clock The Rise of Rock and Roll | 714 |
Songs of Loneliness and Praise Postwar Vernacular Trends | 736 |
Jazz Broadway and Musical Permanence | 755 |
Melting Pot or Pluralism? Popular Music and Ethnicity | 778 |
From Accessibility to Transcendence The Beatles Rock and Popular Music | 799 |
Trouble Girls Minimalists and The Gap The 1960s to the 1980s | 813 |
Black Music and American Identity | 837 |
Epilogue | 853 |
Notes | 861 |
897 | |
Credits | 925 |
931 | |
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