Joyce's Ghosts: Ireland, Modernism, and MemoryUniversity of Chicago Press, 13 de nov. de 2015 - 307 páginas “A deeply original work . . . part of a refreshing new wave of literary criticism that is written in clear, hospitable prose, driven by genuine passion.” —Irish Times For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement. “Nothing short of brilliant.” —Vicki Mahaffey, University of Illinois at Urbana-Champaign, author of Reauthorizing Joyce “Engaging [and] important.” —Choice “Sure to appeal to every persuasion and rank of Joyceans.” —Maria DiBattista, Princeton University, author of First Love: The Affections of Modern Fiction “Excellent.” —Fredric Jameson, Duke University, author of Post, or The Cultural Logic of Late Capitalism |
Conteúdo
1 | |
Dublin Cultural Intimacy and Modernity | 21 |
Inner Speech Self and the City | 53 |
Joyce Free Indirect Discourse and Vernacular Modernism | 79 |
Visualizing the Voice in James Joyces and John Hustons The Dead | 103 |
Subjectivity Spectral Memory and Irish Modernity | 138 |
Haunting the Wandering Rocks | 165 |
Bloom Bible Wars and U p up in Joyces Dublin | 188 |
Spectral Premonitions and the Memory of the Dead | 207 |
Notes | 227 |
269 | |
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Bridget Cleary Cambridge camera Catholic century chapter characters Cinema colonial consciousness context critics cultural Dead death Dedalus dialogue Duffy Enda Duffy English Eumaeus everyday experience external eyes face Famine Father Conmee fiction film Finnegans Wake free indirect discourse Freud Gabriel ghost Ghostly Light Gretta haunting Hegarty Hugh Kenner Huston Ibid idioms inner speech interiority introjection Ireland Irish italics added James Joyce James Joyce’s John John Huston Joyce’s Joyce’s Dublin language Lass of Aughrim Lestrygonians Lily Lily’s literary London Mary memory Michael Furey mind modern modernist Molly Bloom Molly’s monologue Moore’s mourning narration narrative nineteenth notes novel one’s Parnell past person phantom phantom limb Photograph Portrait present reader references will take relation Routledge Seamus Deane sense social space spectral Stanislaus Joyce Stephen Stephen Dedalus Street technique Thomas Connellan thoughts tion trans turn Ulysses vernacular voice Vygotsky walking Wittgenstein words writes young