Dickens to Hardy 1837-1884: The Novel, the Past and Cultural Memory in the Nineteenth CenturyThis authoritative survey examines how the Victorian middle-classes perceived themselves, through analyses of the literature of the period. Asking how the middle classes distinguished themselves from their forbears, Julian Wolfreys reads in detail major novels by: - Charles Dickens - Elizabeth Gaskell - Wilkie Collins - George Eliot - Thomas Hardy. Wolfreys explores the novelists' constructions of modernity, national identity and their understanding of 'becoming historical' in distinction from that of previous generations. He offers illuminating close readings of texts and examines narratives set in a recent past in order to investigate the role of cultural memory in the making of identity. Also featuring a helpful Chronology and an Annotated Bibliography to aid further study, this stimulating guide encourages readers to reassess the work of key writers of the nineteenth century. |
De dentro do livro
Resultados 1-3 de 90
Página 17
In producing The Pickwick Papers , Dickens employed his editorial persona , '
Boz ' . In doing so , he drew on the traditional novelist ' s device of constructing a
fictional editor ' by which Dickens ' align [ ed ] himself with the likes of Walter Scott
...
In producing The Pickwick Papers , Dickens employed his editorial persona , '
Boz ' . In doing so , he drew on the traditional novelist ' s device of constructing a
fictional editor ' by which Dickens ' align [ ed ] himself with the likes of Walter Scott
...
Página 24
In assuming such an economy Dickens invites his readers to feel as well as to
see . He therefore structures the possibility of perception and vision through an
anachronistic modality . Like Wordsworth , Dickens understands history , the past
...
In assuming such an economy Dickens invites his readers to feel as well as to
see . He therefore structures the possibility of perception and vision through an
anachronistic modality . Like Wordsworth , Dickens understands history , the past
...
Página 282
The Dent Uniform Edition of Dickens ' Journalism , Volume I : Sketches by Boz
and Other Early Papers 1833 – 39 . Ed . Michael Slater . London : J . M . Dent ,
1994 . Dickens , Charles . The Personal History of David Copperfield . Ed . and
Intro .
The Dent Uniform Edition of Dickens ' Journalism , Volume I : Sketches by Boz
and Other Early Papers 1833 – 39 . Ed . Michael Slater . London : J . M . Dent ,
1994 . Dickens , Charles . The Personal History of David Copperfield . Ed . and
Intro .
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
Conteúdo
The Posthumous | 13 |
Historicized sites of reading | 51 |
The Moonstone | 81 |
Direitos autorais | |
4 outras seções não mostradas
Outras edições - Visualizar todos
Dickens to Hardy, 1837-1884: The Novel, the Past and Cultural Memory in the ... Julian Wolfreys Visualização parcial - 2007 |
Dickens to Hardy 1837-1884: The Novel, the Past and Cultural Memory in the ... Julian Wolfreys Visualização de trechos - 2007 |
Dickens to Hardy 1837-1884: The Novel, the Past and Cultural Memory in the ... Julian Wolfreys Não há visualização disponível - 2007 |
Termos e frases comuns
already appears arrives articulation attention authority becomes beginning Blake called chapter characters comes communication concerning condition consciousness course Cranford critical cultural Dickens difference direct discourse double effect Eliot English example experience eyes fact fiction figure force founded future give given hand Hardy Hardy's haunted historical identity least light literary literature lives London look manner marks material matter meaning mediation memory Middlemarch Miss modes moment Moonstone motion MSPL narration narrative nature nineteenth century novel observed offers one's opening particular passage past perceived perception perhaps period perspective Pickwick political position possible present produced publication published question reader reference reflection relation relief remains remarks representation response scene scientific sense serves signs singular social staging story structure suggest takes place temporal threads tion traces transformation translation turn various Victorian visible vision visual witness writing