To undergo such maiden pilgrimage: But"earthlier happy" is the rose distill'd,3 earthly happier. Her. So will I grow, so live, so die, my lord, Unto his lordship, whose unwished yoke My soul consents not to give sovereignty. The. Take time to pause: and, by the next new moon, (The sealing-day betwixt my love and me, For everlasting bond of fellowship) Upon that day either prepare to die, Or else, to wed Demetrius, as he would: For aye, austerity and single life. Dem. Relent, sweet Hermia;-and, Lysander, yield Thy crazed title to my certain right. Lys. You have her father's love, Demetrius; Let me have Hermia's: do you marry him.5 Ege. Scornful Lysander! true, he hath my love; I do estate unto Demetrius. 3 But earthlier happy is the rose distill'd,] Thus all the copies: yet earthlier is so harsh a word, and earthlier happy, for happier earthly, a mode of speech so unusual, that I wonder none of the editors have proposed earlier happy. Johnson. You It has since been observed, that Mr. Pope did propose earlier. We might read-earthly happy. Earthly happier. Capel's guess mr. fol. the rose distill'd,] So, in Lyly's Midas, 1592: " bee all young and faire, endeavour to bee wise and vertuous; that when, like roses, you shall fall from the stalke, you may be gathered, and put to the still." This image, however, must have been generally obvious, as in Shakspeare's time, the distillation of rose-water was a com mon process, in all families. Steevens. 4 •whose unwished yoke-] Thus both the quartos 1600, and the folio 1623. The second folio reads to whose unwished yoke · Steevens. 5 You have her father's love, Demetrius; Let me have Hermia's: do you marry him.] I suspect, that Shakspeare wrote: Let me have Hermia; do you marry him. Tyrwhitt. Lys. I am, my lord, as well deriv'd as he, And, which is more than all these boasts can be, Why should not I, then, prosecute my right? Upon this spotted and inconstant man. The. I must confess, that I have heard so much, My mind did lose it.-But, Demetrius, come; I must employ you in some business [Exeunt THE. HIP. EGE. DEM. and train. Lys. How now, my love? Why is your cheek so pale? How chance the roses there do fade so fast? Her. Belike, for want of rain; which I could well Beteem them from the tempest of mine eyes. 6 spotted-] As spotless is innocent, so spotted is wicked. Johnson. 7 Beteem them -] Give them, bestow upon them. The word is used by Spenser. Johnson. "So would I, said th' enchanter, glad and fain "Beteem to you his sword, you to defend." Fairy Queen. Again, in The Case is Altered. How? Ask Dalio and Milo, 1605: "I could beteeme her a better match." Lys. Ah me! for aught that ever I could read, The course of true love never did run smooth: " 10. Her. O cross! too high to be enthrall'd to low!9 Swift as a shadow, short as any dream; 2 But I rather think, that to beteem, in this place, signifies (as in the northern counties) to pour out; from tommer, Danish. Steevens. 8 The course of true love-] This passage seems to have been imitated by Milton. Paradise Lost, B. X.—896. & seq. Malone. 9 — too high to be enthrall'd to low!] Love-possesses all the editions, but carries no just meaning in it. Nor was Hermia displeased at being in love; but regrets the inconveniences, that generally attend the passion; either the parties are disproportioned, in degree of blood and quality; or unequal, in respect of years; or brought together by the appointment of friends, and not by their own choice. These are the complaints, represented by Lysander; and Hermia, to answer to the first, as she has done to the other two, must necessarily say: O cross! too high to be enthrall'd to low! So the antithesis is kept up in the terms; and so she is made to condole the disproportion of blood and quality in lovers. Theobald. The emendation is fully supported, not only by the tenour of the preceding lines, but by a passage in our author's Venus and Adonis, in which the former predicts that the course of love never shall run smooth: "Sorrow on love hereafter shall attend, "Ne'er settled equally, too high, or low," &c. Malone. 1 -momentany as a sound,] Thus the quartos. The first folio reads-momentary. Momentany (says Dr. Johnson) is the old and proper word. Steevens. 66 that short momentany rage,”—is an expression of Dryden. Henley. 2 Brief as the lightning in the collied night,] Collied, i. e. black, smutted with coal, a word still used in the midland counties. Y 2 9r The antishesis supports the text and is confumed by Ms. fol. 10. The old copies read" merit":"friends" is a modem and arbitrary substitution. That, in a spleen, unfolds both heaven and earth, Her. If then true lovers have been ever cross'd, Then let us teach our trial patience, Because it is a customary cross; As due to love, as thoughts, and dreams, and sighs, Wishes, and tears, poor fancy's followers. Lys. A good persuasion; therefore, hear me, Hermia. I have a widow aunt, a dowager Of great revenue, and she hath no child: From Athens is her house remote seven leagues; There will I stay for thee. So, in Ben Jonson's Poetaster: 66 ·Thou hast not collied thy face enough." Steevens. 3 That, in a spleen, unfolds both heaven and earth, And, ere a man hath power to say,—Behold! The jaws of darkness do devour it up:] Though the word spleen be here employed oddly enough, yet I believe it right. Shakspeare, always hurried on by the grandeur and multitude of his ideas, assumes, every now and then, an uncommon licence in the use of his words. Particularly in complex moral modes it is usual with him to employ one, only to express a very few ideas of that number of which it is composed. Thus wanting here to express the ideas—of a sudden, or—in a trice, he uses the word spleen; which, partially considered, signifying a hasty sudden fit, is enough for him, and he never troubles himself about the further or fuller signification of the word. Here, he uses the word spleen for a sudden hasty fit; so, just the contrary, in The Two Gentlemen of Verona, he uses sudden for splenetic; "sudden quips." And it must be owned, this sort of conversation adds a force to the diction. Warburton. 4 fancy's followers.] Fancy is love. So, afterwards, in this play: "Fair Helena in fancy following me." Steevens. Her. My good Lysander! I swear to thee, by Cupid's strongest bow; By that which knitteth souls, and prospers loves; Lys. Keep promise, love: Look, here comes Helena. Enter HELENA. Her. God speed fair Helena! Whither away? Hel. Call you me fair? that fair again unsay. Demetrius loves your fair: O happy fair! Your eyes are lode-stars:7 and your tongue's sweet air 5 his best arrow, with the golden head;] So, in Sidney's Arcadia, Book II: arrowes two, and tipt with gold or lead: "Some hurt, accuse a third with horny head." Steevens. 6 Demetrius loves your fair:] Fair is used again as a substantive in The Comedy of Errors, Act III, sc. iv: 66 My decayed fair, "A sunny look of his would soon repair." Again, in The Death of Robert Earl of Huntingdon, 1601: "But what foul hand hath arm'd Matilda's fair?" Again, in A Looking-Glass for London and England, 1598: "And fold in me the riches of thy fair." Again, in The Pinner of Wakefield, 1599: "Then tell me, love, shall I have all thy fair?" Again, in Greene's Never too late, 1616: "Though she were false to Menelaus, yet her fair made him brook her follies." Again: "Flora in tawny hid up all her flowers, "And would not diaper the meads with fair." Steevens. 7 Your eyes are lode-stars;] This was a compliment not unfrequent among the old poets. The lode-star is the leading or guiding star, that is, the pole-star. The magnet is, for the same reason, called the lode-stone, either because it leads iron, or because it guides the sailor. Milton has the same thought in L'Allegro: "Towers and battlements it sees "Bosom'd high in tufted trees, "Where perhaps some beauty lies, "The cynosure of neighbring eyes." |