Such an irreconcilable antagonism, of course, must have a correspondent depth of seat in the human constitution. It is the opposition of Past and Future, of Memory and Hope, of the Understanding and the Reason. It is the primal antagonism, the appearance in trifles of the two poles of nature.

There is a fragment of old fable which seems somehow to have been dropped from the current mythologies, which may deserve attention, as it appears to relate to this subject.

Saturn grew weary of sitting alone, or with none but the great Uranus or Heaven beholding him, and he created an oyster. Then he would act again, but he made nothing more, but went on creating the race of oysters. Then Uranus cried, a new work, O Saturn! the old is not good again.'

Saturn replied. 'I fear. There is not only the alternative of making and not making, but also of unmaking. Seest thou the great sea, how it ebbs and flows? so is it with me; my power ebbs; and if I put forth my hands, I shall not do, but undo. Therefore I do what I have done; I hold what I have got; and so I resist Night and Chaos.'

'O Saturn,' replied Uranus, thou canst not hold thine own, but by making more. Thy

oysters are barnacles and cockles, and with the next flowing of the tide, they will be pebbles and sea-foam.'

'I see,' rejoins Saturn, 'thou art in league with Night, thou art become an evil eye; thou spakest from love; now thy words smite me with hatred. I appeal to Fate, must there not be rest?' 'I appeal to Fate also,' said Uranus, 'must there not be motion?". But Saturn was silent, and went on making oysters for a thousand years.

After that, the word of Uranus came into his mind like a ray of the sun, and he made Jupiter; and then he feared again; and nature froze, the things that were made went backward, and, to save the world, Jupiter slew his father Saturn.

This may stand for the earliest account of a conversation on politics between a Conservative and a Radical, which has come down to us. It is ever thus. It is the counteraction of the centripetal and the centrifugal forces. Innovation is the salient energy; Conservatism the pause on the last movement. "That which is was made by God,' saith Conservatism. 'He is leaving that, he is entering this other;' rejoins Innovation.

There is always a certain meanness in the argument of conservatism, joined with a certain

superiority in its fact. It affirms because it holds. Its fingers clutch the fact, and it will not open its eyes to see a better fact. The castle, which conservatism is set to defend, is the actual state of things, good and bad. The project of innovation is the best possible state of things. Of course, conservatism always has the worst of the argument, is always apologizing, pleading a necessity, pleading that to change would be to deteriorate; it must saddle itself with the mountainous load of the violence and vice of society, must deny the possibility of good, deny ideas, and suspect and stone the prophet; whilst innovation is always in the right, triumphant, attacking, and sure of final success. Conservatism stands on man's confessed limitations; reform on his indisputable infinitude; conservatism on circumstance; liberalism on power; one goes to make an adroit member of the social frame; the other to postpone all things to the man himself; conservatism is debonnair and social; reform is individual and imperious. We are reformers in spring and summer; in autumn and winter, we stand by the old; reformers in the morning, conservers at night. Reform is affirmative, conservatism negative; conservatism goes for comfort, reform for truth. Conservatism is more candid to behold

another's worth; reform more disposed to maintain and increase its own. Conservatism makes no poetry, breathes no prayer, has no invention; it is all memory. Reform has no gratitude, no prudence, no husbandry. It makes a great difference to your figure and to your thought, whether your foot is advancing or receding. Conservatism never puts the foot forward; in the hour when it does that, it is not establishment, but reform. Conservatism tends to universal seeming and treachery, believes in a negative fate; believes that men's temper governs them; that for me, it avails not to trust in principles; they will fail me; I must bend a little; it distrusts nature; it thinks there is a general law without a particular application, law for all that does not include any one. Reform in its antagonism inclines to asinine resistance, to kick with hoofs; it runs to egotism and bloated self-conceit; it runs to a bodiless pretension, to unnatural refining and elevation, which ends in hypocrisy and sensual reaction.

And so whilst we do not go beyond general statements, it may be safely affirmed of these two metaphysical antagonists, that each is a good half, but an impossible whole. Each exposes the abuses of the other, but in a true society, in a true man, both must combine.

Na

ture does not give the crown of its approbation, namely, beauty, to any action or emblem or actor, but to one which combines both these elements; not to the rock which resists the waves from age to age, nor to the wave which lashes incessantly the rock, but the superior beauty is with the oak which stands with its hundred arms against the storms of a century, and grows every year like a sapling; or the river which ever flowing, yet is found in the same bed from age to age; or, greatest of all, the man who has subsisted for years amid the changes of nature, yet has distanced himself, so that when you remember what he was, and see what he is, you say, what strides! what a disparity is here!

Throughout nature the past combines in every creature with the present. Each of the convolutions of the sea-shell, each node and spine marks one year of the fish's life, what was the mouth of the shell for one season, with the addition of new matter by the growth of the animal, becoming an ornamental node. The leaves and a shell of soft wood are all that the vegetation of this summer has made, but the solid columnar stem, which lifts that bank of foliage into the air to draw the eye and to cool us with its shade, is the gift and legacy of dead and buried years.