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pockets are two handkerchiefs (one for the neck at night-time), his spectacles, and his pocket-book. The pocket-book, among other things, contains a receipt for a cough, and some verses cut out of an odd sheet of an old magazine, on the lovely Duchess of A., beginning

“When beauteous Mira walks the plain."

He intends this for a commonplace book which he keeps, consisting of passages in verse and prose cut out of newspapers and magazines, and pasted in columns ; some of them rather gay. His principal other books are Shakspeare's plays and Milton's "Paradise Lost ;” the Spectator; the “History of England ; the works of Lady M. W. Montague, Pope, and Churchill ; Middleton's “Geography ;" the Gentleman's Magazine; Sir John Sinclair on Longevity; several plays with portraits in character; “ Account of Elizabeth Canning ;” “ Memoirs of George Ann Bellamy ;” “ Poetical Ainusements at BathEaston ;' Blair's works'; “ Elegant Extracts ; " “ Junius," as originally published; a few pamphlets on the American War and Lord George Gordon, &c.; and one on the French Revolution. In his sitting-rooms are some engravings from Hogarth and Sir Joshua; an engraved portrait of the Marquis of Granby ; ditto of M. le Comte de Grasse surrendering to Admiral Rodney ; a humorous piece after Penny ; and a portrait of himself, painted by Sir Joshua. His wife's portrait is in his chamber, looking upon his bed. She is a little girl, stepping forward with a smile and a pointed toe, as if going to dance. He lost her when she was sixty.

The Old Gentleman is an early riser, because he intends to live at least twenty years longer. He continues to take tea for breakfast, in spite of what is said against its nervous effects; having been satisfied on that point some years ago by Dr Johnson's criticism on Hanway, and a great liking for tea previously. His china cups and saucers have been broken since his wife's death, all but one, which is religiously kept for his use. He

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passes his morning in walking or riding, looking in at auctions, looking after his India bonds, or some such money securities, furthering some subscription set on foot by his excellent friend Sir John, or cheapening a new old print for his portfolio. He also hears of the newspapers ; not caring to see them till after dinner at the coffee-house. He may also cheapen a fish or so; the fishmonger soliciting his doubting eye as he passes, with a profound bow of recognition. He eats a pear before dinner.

His dinner at the coffee-house is served up to him at the accustomed hour, in the old accustomed way, and by the accustomed waiter. If William did not bring it, the fish would be sure to be stale, and the flesh new. He eats no tart; or, if he ventures on a little, takes cheese with it. You might as soon attempt to persuade him out of his senses, as that cheese is not good for digestion. He takes port; and if he has drunk more than usual, and in a more private place, may be induced, by some respectful inquiries respecting the old style of music, to sing a song composed by Mr Oswald or Mr Lampe, such as

"Chloe, by that borrow'd kiss,"

or

“Come, gentle god of soft repose;"

or his wife's favourite ballad, beginning

“At Upton on the Hill

There lived a happy pair." Of course, no such exploit can take place in the coffee-room ; but he will canvass the theory of that matter there with you, or discuss the weather, or the markets, or the theatres, or the merits of “my Lord North,” or “my Lord Rockingham ;" for he rarely says simply lord; it is generally “my lord,” trippingly and genteelly off the tongue. If alone after dinner, his great delight is the newspaper ; which he prepares to read by wiping his spectacles, carefully adjusting them on his eyes, and drawing the candle close to him, so as to stand sideways betwixt his ocular aim and the small type. He then holds the paper at arm's-length, and, dropping his eyelids half down and his

mouth half open, takes cognizance of the day's information. If he leaves off, it is only when the door is opened by a new comer, or when he suspects somebody is over-anxious to get the paper out of his hand. On these occasions, he gives an important “hem !” or so, and resumes.

In the evening, our Old Gentleman is fond of going to the theatre, or of having a game of cards. If he enjoys the latter at his own house or lodgings, he likes to play with some friends whom he has known for many years; but an elderly stranger may be introduced, if quiet and scientific, and the privilege is extended to younger men of letters, who, if ill players, are good losers. Not that he is a miser; but to win money at cards is like proving his victory by getting the baggage, and to win of a younger man is a substitute for his not being able to beat him at rackets. He breaks up early, whether at home or abroad.

At the theatre, he likes a front row in the pit. He comes early, if he can do so without getting into a squeeze, and sits patiently waiting for the drawing up of the curtain, with his hands placidly lying, one over the other, on the top of his stick. He generously admires some of the best performers, but thinks them far inferior to Garrick, Woodward, and Clive. During splendid scenes he is anxious that the little boy should see.

He has been induced to look in at Vauxhall again, but likes it still less than he did years back, and cannot bear it in comparison with Ranelagh. He thinks everything looks poor, flaring, and jaded. “Ah !” says he, with a sort of triumphant sigh,

Ranelagh was a noble place ! Such taste, such elegance, such beauty! There was the Duchess of A., the finest woman in England, sir; and Mrs L., a mighty fine creature; and Lady Susan What's-her-name, that had that unfortunate affair with Sir Charles. Sir, they came swimming by you like the swans.”

The Old Gentleman is very particular in having his slippers ready for him at the fire when he comes home. He is also extremely choice in his snuff, and delights to get a fresh boxful in Tavistock Street, on his way to the theatre. His box is a curiosity

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from India. He calls favourite young ladies by their Christian names, however slightly acquainted with them, and has a privilege also of saluting all brides, mothers, and indeed every species of lady, on the least holiday occasion. If the husband, for instance, has met with a piece of luck, he instantly moves forward, and gravely kisses the wife on the cheek. The wife then says, “ My niece, sir, from the country;" and he kisses the niece. The niece, seeing her cousin biting her lips at the joke, says, “My cousin Harriet, sir ;" and he kisses the cousin. He never recollects such weather, except during the Great Frost, or when he rode down with Jack Skrimshire to Newmarket. He grows young again in his little grandchildren, especially the one which he thinks most like himself, which is the handsomest. Yet he likes best, perhaps, the one most resembling his wife, and will sit with him on his lap, holding his hand in silence, for a quarter of an hour together. He plays most tricks with the former, and makes him sneeze. He asks little boys in general who was the father of Zebedee's children. If his grandsons are at school, he often goes to see them, and makes them blush by telling the master or the upper scholars that they are fine boys, and of a precocious genius. He is much struck when an old acquaintance dies, but adds that he lived too fast, and that poor Bob was a sad dog in his youth-"a very sad dog, sir, mightily set upon a short life and a merry one.”

When he gets very old indeed, he will sit for whole evenings, and

say little or nothing; but informs you that there is Mrs Jones (the housekeeper) "She'll talk.”

ON THE REALITIES OF IMAGINATION.

TH

"HERE is not a more unthinking way of talking than

to say such and such pains and pleasures are only

imaginary, and therefore to be got rid of or undervalued accordingly. There is nothing imaginary, in the common acceptation of the word. The logic of Moses in the “Vicar of Wakefield” is good argument here :—“ Whatever is, is.” Whatever touches us, whatever moves us, does touch and does move us. We recognise the reality of it, as we do that of a hand in the dark. We might as well say that a sight which makes us laugh, or a blow which brings tears into our eyes, is imaginary, as that anything else is imaginary which makes us laugh or weep. We can only judge of things by their effects. Our perception constantly deceives us, in things with which we suppose ourselves perfectly conversant; but our reception of their effect is a different matter. Whether we are materialists or immaterialists, whether things be about us or within us, whether we think the sun is a substance, or only the image of a divine thought, an idea, a thing imaginary, we are equally agreed as to the notion of its warmth. But, on the other hand, as this warmth is felt differently by different temperaments, so what we call imaginary things affect different minds. What we have to do is not to deny their effect, because we do not feel in the same proportion, or whether we even feel it at all ; but to see whether our neighbours may not be moved. If they are, there is, to all intents and purposes, a moving cause.

But we do not see it? No;-neither, perhaps, do they. They only

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