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But now, then, for these parts he must
Be enstiled Lewis the Just,
Great Henry's lawful heir;

When to his stile to add more words,
They'd better call him King of Birds,
Than of the great Navarre.

He hath besides a pretty quirk,
Taught him by nature, how to work
In iron with much ease;
Sometimes to the forge he goes,
There he knocks and there he blows,
And makes both locks and keys;

Which puts a doubt in every one,
Whether he be Mars or Vulcan's son,
Some few believe his mother;
But let them all say what they will,
I came resolved, and so think still,
As much th' one as th' other.

The people too dislike the youth, Alleging reasons, for, in truth, Mothers should honour'd be;

Yet others say, he loves her rather
As well as ere she loved his father,
And that's notoriously-

His queen*, a pretty little wench,
Was born in Spain, speaks little French,
She's ne'er like to be mother;
For her incestuous house could not
Have children which were not begot
By uncle or by brother.

Nor why should Lewis, being so just,
Content himself to take his lust
With his Lucina's mate,

And suffer his little pretty queen,
From all her race that yet hath been,
So to degenerate?

'Twere charity for to be known

To love others' children as his own,
And why it is no shame,
Unless that he would greater be

Than was his father Henery,
Who, men thought, did the same.
[* Anne of Austria.]

THOMAS MIDDLETON.

[Born, 1570. Buried, 4th July, 1627.]

THE dates of this author's birth and death are both unknown, though his living reputation, as the literary associate of Jonson, Fletcher, Massinger, Dekker, and Rowley, must have been considerable. If Oldys be correct*, he was alive after November 1627. Middleton was appointed chronologer to the city of London† in 1620, and in 1624 was cited before the privy council, as author of The Game of Chess. The verses of Sir W. Lower, quoted by Oldys, allude to the poet's white locks, so that he was probably born as early as the middle of the 16th century. His tragicomedy, The Witch, according to Mr. Malone, was written anterior to Macbeth, and suggested to Shakspeare the witchcraft scenery in

the latter play. The songs beginning "Come away," &c. and "Black Spirits," &c. of which only the two first words are printed in Macbeth, are found in the Witch. Independent of having afforded a hint to Shakspeare, Middleton's reputation cannot be rated highly for the pieces to which his name is exclusively attached. His principal efforts were in comedy, where he deals profusely in grossness and buffoonery. The cheats and debaucheries of the town are his favourite sources of comic intrigue. With a singular effort at the union of the sublime and familiar, he introduces, in one of his coarse drafts of London vice, an infernal spirit prompting a country gentleman to the seduction of a citizen's wife§.

LEANTIO APPROACHING HIS HOME. FROM THE TRAGEDY OF WOMEN BEWARE WOMEN."

How near I am now to a happiness
That earth exceeds not! not another like it.
The treasures of the deep are not so precious
As are the conceal'd comforts of a man
Lock'd up in woman's love. I scent the air
Of blessings, when I come but near the house.
*MS. notes on Langbaine.

[t Or city poet. Jonson and Quarles filled the office after Middleton, which expired with Elkanah Settle in 1723-4.] [The verses in question I believe to be a forgery of Chetwood.-DYCE's Middleton, vol. i. p. xiii.]

What a delicious breath marriage sends forth,
The violet bed's not sweeter! Honest wedlock
Is like a banqueting house built in a garden,
On which the spring's chaste flowers take delight
To cast their modest odours; when base lust,
With all her powders, paintings, and best pride,
Is but a fair house built by a ditch side.

[§ Middleton's dramatic works, since this was written, have been collected by the Rev. A. Dyce, a gentleman to whom the pristine literature of England is greatly indebted.]

Now for a welcome Able to draw men's envies upon man; A kiss, now, that will hang upon my lip As sweet as morning dew upon a rose, And full as long.

LEANTIO'S AGONY FOR THE DESERTION OF HIS

WIFE.

FROM THE SAME.

Leantio, a man of humble fortune, has married a beautiful wife, who is basely seduced by the Duke of Florence. The duke, with refined cruelty, invites them both to a feast, where he lavishes his undisguised admiration on his mistress. The scene displays the feelings of Leantio, restrained by ceremony and fear, under the insulting hospitality, at the conclusion of which he is left alone with Livia, a lady of the court, who has fallen in love with him, and wishes to attach his affections.

Leantio. (Without noticing Livia.) O HAST thou left me then, Bianca, utterly?

O Bianca, now I miss thee! Oh! return,
And save the faith of woman. I ne'er felt
The loss of thee till now: 'tis an affliction

Of greater weight than youth was made to bear;
As if a punishment of after life

Were fall'n upon man here, so new it is

To flesh and blood; so strange, so insupportable; A torment even mistook, as if a body

Whose death were drowning, must needs therefore suffer it

In scalding oil.

Livia. Sweet sir!

Lean. (Without noticing her.) As long as mine eye saw thee, I half enjoy'd thee.

Liv. Sir!

Lean. (Without noticing her.) Canst thou forget
The dear pains my love took? how it has watch'd
Whole nights together, in all weathers, for thee,
Yet stood in heart more merry than the tempest
That sung about mine ears, like dangerous flatterers,
That can set all their mischiefs to sweet tunes,
And then received thee from thy father's window,
Into these arms, at midnight; when we embraced
As if we had been statues only made for't,
To show art's life, so silent were our comforts;
And kiss'd as if our lips had grown together.
Lie. This makes me madder to enjoy him now.
Lean. (Without noticing her.) Canst thou forget
all this, and better joys

That we met after this, which then new kisses
Took pride to praise ?

Liv. I shall grow madder yet :-Sir !
Lean. (Without noticing her.) This cannot be
but of some close bawd's working:-
Cry mercy, lady! What would you say to me?
My sorrow makes me so unmannerly,
So comfort bless me, I had quite forgot you.
Liv. Nothing, but e'en in pity to that passion
Would give your grief good counsel.

Lean. Marry, and welcome, lady, It never could come better.

Liv. Then first, sir,

To make away all your good thoughts at once of her, Know, most assuredly, she is a strumpet.

Lean. Ha! most assuredly? Speak not a thing So vile so certainly, leave it more doubtful. Liv. Then I must leave all truth, and spare my

knowledge,

A sin which I too lately found and wept for.
Lean. Found you it?

Liv. Ay, with wet eyes.

Lean. Oh, perjurious friendship!

Liv. You miss'd your fortunes when you met with her, sir.

Young gentlemen, that only love for beauty,
They love not wisely; such a marriage rather
Proves the destruction of affection;

It brings on want, and want's the key of whoredom.
I think you'd small means with her?

Lean. Oh, not any, lady.

Liv. Alas, poor gentleman! what mean'st thou,

sir,

Quite to undo thyself with thine own kind heart?
Thou art too good and pitiful to woman :
Marry, sir, thank thy stars for this bless'd fortune,
That rids the summer of thy youth so well
From many beggars, that had lain a sunning
In thy beams only else, till thou hadst wasted
The whole days of thy life in heat and labour.
What would you say now to a creature found
As pitiful to you, and as it were

E'en sent on purpose from the whole sex general,
To requite all that kindness you have shown to't?
Lean. What's that, madam?

Liv. Nay, a gentlewoman, and one able To reward good things; ay, and bears a conscience to't:

Couldst thou love such a one, that (blow all fortunes)
Would never see thee want?

Nay more, maintain thee to thine enemy's envy,
And shalt not spend a care for❜t, stir a thought,
Nor break a sleep? unless love's music waked thee,
No storm of fortune should look upon me,
And know that woman.

[out?

Lean. Oh, my life's wealth, Bianca !
Liv. Still with her name? will nothing wear it
That deep sigh went but for a strumpet, sir.
Lean. It can go for no other that loves me.
Liv. (Aside) He's vex'd in mind; I came too
soon to him:

Where's my discretion now, my skill, my judgment?
I'm cunning in all arts but my own, love.
'Tis as unseasonable to tempt him now
So soon, as [for] a widow to be courted
Following her husband's corse; or to make bargain
By the grave side, and take a young man there:
Her strange departure stands like a hearse yet
Before his eyes; which time will take down shortly.
[Exit.

Lean. Is she my wife till death, yet no more mine? [for? That's a hard measure: then what's marriage good Methinks by right I should not now be living,

And then 'twere all well. What a happiness
Had I been made of had I never seen her;
For nothing makes man's loss grievous to him,
But knowledge of the worth of what he loses ;
For what he never had, he never misses :
She's gone for ever, utterly; there is
As much redemption of a soul from hell,
As a fair woman's body from his palace.
Why should my love last longer than her truth?
What is there good in woman to be loved,
When only that which makes her so has left her?
I cannot love her now, but I must like

Her sin, and my own shame too, and be guilty
Of law's breach with her, and mine own abusing;
All which were monstrous! then my safest course
For health of mind and body, is to turn
My heart, and hate her, most extremely hate her;
I have no other way: those virtuous powers
Which were chaste witnesses of both our troths,
Can witness she breaks first!

SCENE FROM "THE ROARING GIRL."

Persons.-Mr. and Mrs. GALLIPOT.

Mrs. Gallipot, the apothecary's wife, having received a letter from her friend Laxton that he is in want of money, thus bethinks her how to raise it.

ALAS, poor gentleman! troth, I pity him.
How shall I raise this money? thirty pound?
'Tis 30, sure, a 3 before an 0;

I know his 3's too well. My childbed linen,
Shall I pawn that for him? then, if my mark
Be known, I am undone; it may be thought
My husband's bankrupt : which way shall I turn?
Laxton, betwixt my own fears and thy wants
I'm like a needle 'twixt two adamants.

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Mr. G. What letter 's that? I'll see't. [She tears the letter. Mrs. G. Oh! would thou hadst no eyes to see the downfall

Of me and of thyself-I'm for ever, ever undone ! Mr. G. What ails my Prue? What paper's that thou tear'st!

Mrs. G. Would I could tear

My very heart in pieces! for my soul

Lies on the rack of shame, that tortures me
Beyond a woman's suffering.

Mr. G. What means this?

Mrs. G. Had you no other vengeance to throw down,

But even in height of all my joys

Mr. G. Dear woman!

Mr. G. Heavens bless me !-Are my barns and houses,

Yonder at Hockley Hole, consumed with fire ?I can build more, sweet Prue.

Mrs. G. Tis worse! 'tis worse!

Mr. G. My factor broke or is the Jonas sunk? Mrs. G. Would all we had were swallow'd in

the waves,

Rather than both should be the scorn of slaves!
Mr. G. I'm at my wit's end.
Mrs. G. O, my dear husband!
Where once I thought myself a fixed star,
Placed only in the heaven of thine arms,
I fear now I shall prove a wanderer.
O Laxton! Laxton! is it then my fate
To be by thee o'erthrown?

Mr. G. Defend me, wisdom,

From falling into phrenzy! On my knees,
Sweet Prue, speak-what's that Laxton, who so
Lies on thy bosom ?
[heavy

Mrs. G. I shall sure run mad!

Mr. G. I shall run mad for company then :

speak to me

I'm Gallipot, thy husband. Prue-why, Prue,
Art sick in conscience for some villanous deed
Thou wert about to act?-didst mean to rob me?
Tush, I forgive thee.-Hast thou on my bed
Thrust my soft pillow under another's head?—
I'll wink at all faults, Prue-'Las! that's no more
Than what some neighbours near thee have done
before.

Sweet honey-Prue-what's that Laxton ?
Mrs. G. Oh !

Mr. G. Out with him.

Mrs. G. Oh! he-he's born to be my undoer!
This hand, which thou call'st thine, to him was given;
To him was I made sure i'the sight of heaven.
Mr. G. I never heard this-thunder!
Mrs. G. Yes, yes-before

I was to thee contracted, to him I swore.
Since last I saw him twelve months three times old 1
The moon hath drawn through her light silver bow;
But o'er the seas he went, and it was said-
But rumour lies-that he in France was dead:
But he's alive-oh, he's alive !—he sent
That letter to me, which in rage I rent,
Swearing, with oaths most damnably, to have me,
Or tear me from this bosom.-Oh, heavens save
me!

Mr. G. My heart will break-Shamed and undone for ever!

Mrs. G. So black a day, poor wretch, went o'er

thee never.

Mr. G. If thou shouldst wrestle with him at

the law,

Thou'rt sure to fall; no odd slight, no prevention.

Mrs. G. When the full sea of pleasure and delight I'll tell him th' art with child.

Seem'd to flow over me

Mr. G. As thou desirest

To keep me out of Bedlam, tell what troubles thee.—

Is not thy child at nurse fall'n sick or dead?
Mrs. G. Oh, no!

Mrs. G. Umph.

Mr. G. Or give out, that one of my men was ta'en abed with thee.

Mrs. G. Worse and worse still;
You embrace a mischief to prevent an ill.

Mr. G. I'll buy thee of him-stop his mouth Think'st thou 'twill do? [with gold

Mrs. G. Oh me! heavens grant it would! Yet now my senses are set more in tune; He writ, as I remember, in his letter, That he, in riding up and down, had spent, Ere he could find me, thirty pound.-Send that; Stand not on thirty with him.

Mr.G.Forty, Prue-say thou the word,'tis done.
We venture lives for wealth, but must do more
To keep our wives.-Thirty or forty, Prue?
Mrs. G. Thirty, good sweet!

Of an ill bargain let's save what we can;
I'll pay it him with tears. He was a man,
When first I knew him, of a meek spirit ;
All goodness is not yet dried up, I hope.
Mr. G. He shall have thirty pound, let that stop
Love's sweets taste best when we have drunk
down gall.

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Than one of the Counters does. Men pay more dear
There for their wit than anywhere. A Counter!
Why, 'tis an university.-Who not sees?
As scholars there, so here men take degrees,
And follow the same studies, all alike.
Scholars learn first logic and rhetoric,

So does a prisoner; with fine honied speech,
At his first coming in, he doth persuade, beseech
He may be lodged— *

To lie in a clean chamber.

But when he has no money, then does he try,
By subtle logic and quaint sophistry,

To make the keepers trust him.

Sir Adam. Say they do.

Sir Alex. Then he's a graduate.
Sir Dav. Say they trust him not.

Sir Alex. Then is he held a freshman and a sot, And never shall commence, but being still barr'd, Be expulsed from the master's side to the TwoOr else i'the Holebeg placed. [penny ward,

Sir Ad. When then, I pray, proceeds a prisoner? Sir Alex. When, money being the theme, He can dispute with his hard creditors' hearts, And get out clear, he's then a master of arts. Sir Davy, send your son to Wood-street college; A gentleman can nowhere get more knowledge. Sir Dav. These gallants study hard. Sir Alex. True, to get money.

Sir Dav. Lies by the heels, i'faith! thanksthanks-I ha' sent

For a couple of bears shall him.

paw

DEVOTION TO LOVE.

FROM THE PLAY OF "BLURT, MASTER-CONSTABLE."

O, HAPPY persecution, I embrace thee
With an unfetter'd soul; so sweet a thing
It is to sigh upon the rack of love,
Where each calamity is groaning witness
Of the poor martyr's faith. I hever heard
Of any true affection but 'twas nipt
With care, that, like the caterpillar, eats
The leaves of the spring's sweetest book, the rose.
Love, bred on earth, is often nursed in hell;
By rote it reads woe ere it learn to spell.

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