Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White DevilHarvester Wheatsheaf, 1989 - 187 Seiten |
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Seite 78
... voice , no opinion in anything that is said between her brothers . The dramatic significance of her words here ( a mere three lines got in edgeways between their speeches , which comprise 45 lines ) becomes apparent when she turns to ...
... voice , no opinion in anything that is said between her brothers . The dramatic significance of her words here ( a mere three lines got in edgeways between their speeches , which comprise 45 lines ) becomes apparent when she turns to ...
Seite 82
... voice apportioned to a woman killed on stage ) are as important to the tragic denouement as speech itself . The scream is the point at which female voice at least becomes audible though not articulate . It provides an undertone to the ...
... voice apportioned to a woman killed on stage ) are as important to the tragic denouement as speech itself . The scream is the point at which female voice at least becomes audible though not articulate . It provides an undertone to the ...
Seite 95
... voice telling true is essentially ineffective : Ant . " Tis very Echo . like my wife's voice . Ay , wife's voice . ( V. iii . 26 ) This is the voice of woman purified ( dead ) , a contrast to the female voice of the unfaithful woman ...
... voice telling true is essentially ineffective : Ant . " Tis very Echo . like my wife's voice . Ay , wife's voice . ( V. iii . 26 ) This is the voice of woman purified ( dead ) , a contrast to the female voice of the unfaithful woman ...
Inhalt
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York