Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White DevilHarvester Wheatsheaf, 1989 - 187 Seiten |
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Seite 55
... sense that everything went wrong when the boys ' father died . Left without a man to govern her , the woman becomes ( at least in one sense ) an ' unruly ' widow . As a result , both the woman's son and Beard blame her for the ensuing ...
... sense that everything went wrong when the boys ' father died . Left without a man to govern her , the woman becomes ( at least in one sense ) an ' unruly ' widow . As a result , both the woman's son and Beard blame her for the ensuing ...
Seite 63
... sense , 69 and it seems that it is often female characters who make them . At the level of transgression ( and therefore of tragedy ) , female characters frequently serve to demystify the assumption . that ' man ' is at the centre of ...
... sense , 69 and it seems that it is often female characters who make them . At the level of transgression ( and therefore of tragedy ) , female characters frequently serve to demystify the assumption . that ' man ' is at the centre of ...
Seite 128
... sense of explicitly male camaraderie to the implicit exclusion of women . Edmund cannot afford to do so , because he is , in a sense , himself the product of a joke about women's sexual appetites and incontinence : Kent . Is not this ...
... sense of explicitly male camaraderie to the implicit exclusion of women . Edmund cannot afford to do so , because he is , in a sense , himself the product of a joke about women's sexual appetites and incontinence : Kent . Is not this ...
Inhalt
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Urheberrecht | |
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analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York