Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White DevilHarvester Wheatsheaf, 1989 - 187 Seiten |
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Seite 56
... hand , sees in The Duchess of Malfi and The White Devil a tragic transcendence in what he regards as Webster's search for moral order . However , predictably enough , his grounds for this discovery are those of the power of poetry . His ...
... hand , sees in The Duchess of Malfi and The White Devil a tragic transcendence in what he regards as Webster's search for moral order . However , predictably enough , his grounds for this discovery are those of the power of poetry . His ...
Seite 125
... hand , he functions as the medieval Vice the audience loves to hate , while on the other he interpellates some of their own fundamental social norms in a way which implicates them in his villainy.5 Intimacy is established through the ...
... hand , he functions as the medieval Vice the audience loves to hate , while on the other he interpellates some of their own fundamental social norms in a way which implicates them in his villainy.5 Intimacy is established through the ...
Seite 127
... hand , by denying the class differentiation of women , may attack aristocratic privilege . But when the elimination of class boundaries is produced by the collapsing of women into a single undifferentiated group , that elimination is ...
... hand , by denying the class differentiation of women , may attack aristocratic privilege . But when the elimination of class boundaries is produced by the collapsing of women into a single undifferentiated group , that elimination is ...
Inhalt
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Urheberrecht | |
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analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York