Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White DevilHarvester Wheatsheaf, 1989 - 187 Seiten |
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Seite 74
... appears only at the opening and at the end of King Lear , the Duchess of Malfi is dead by the end of Act IV , Vittoria Corombona , rarely on stage , often stands silently , and Desdemona , who has fewer speeches than either lago or ...
... appears only at the opening and at the end of King Lear , the Duchess of Malfi is dead by the end of Act IV , Vittoria Corombona , rarely on stage , often stands silently , and Desdemona , who has fewer speeches than either lago or ...
Seite 75
... appears , after a good press from the other characters , his entry is rather dramatic . But even when Vittoria reappears , we have to wait for the space of 116 lines before she utters more than a few words . The Machereyan absence at ...
... appears , after a good press from the other characters , his entry is rather dramatic . But even when Vittoria reappears , we have to wait for the space of 116 lines before she utters more than a few words . The Machereyan absence at ...
Seite 125
... appears at once to neutralise the vicious nature of the misogynistic utterance and to ensure audience complicity in derogatory statements about women . Laughter secures and ratifies the misogynistic utterance in a process which combines ...
... appears at once to neutralise the vicious nature of the misogynistic utterance and to ensure audience complicity in derogatory statements about women . Laughter secures and ratifies the misogynistic utterance in a process which combines ...
Inhalt
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Urheberrecht | |
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Alan Sinfield Antonio argues audience becomes Bosola Brabantio Bracciano Camillo Cassio category of woman Catherine Belsey characterised chaste comedy comic concept constitutes construction contradictions Cordelia crucial cuckold cultural curse daughter death defined demonic Desdemona Difference in Renaissance dominant dramatic Duchess of Malfi English Renaissance example exile exorcism fact father female characters female tragic feminine feminist feminist criticism Flamineo Fool function gender categories gender difference gender differentiation Goneril Goneril and Regan Harvester Press hierarchy human husband Iago Iago's idealised ideology Interestingly Jacobean Jacqueline Rose Jacques Lacan Jonathan Dollimore Juliet Mitchell King Lear Lear's literary London malcontent male marriage masculinity Methuen misogynistic misogynistic discourse misogyny monstrous mother nature Othello patriarchal phallic power phallus play political position Quoted Renaissance tragedy sexual desire sexual difference Shakespeare silence Similarly social speech sword symbolic thee thou tragic hero transcendence undermines University Press Vittoria White Devil whore women York