Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White DevilHarvester Wheatsheaf, 1989 - 187 Seiten |
Im Buch
Ergebnisse 1-3 von 11
Seite 79
... Fool's laments for her . 10 The mock - trial of Act III parodies the opening scene of the play where silence was enforced upon Cordelia . Here the evil daughters are forced to be silent too , only manifested as absent stage presences ...
... Fool's laments for her . 10 The mock - trial of Act III parodies the opening scene of the play where silence was enforced upon Cordelia . Here the evil daughters are forced to be silent too , only manifested as absent stage presences ...
Seite 166
... fool's quip . Yet there is a certain strength in Flamineo's ability to toy with upper - class power in his role as fool . Fools usually erect the phallus only to deflate it , and then re - erect it . Thus the phallus can be valorised ...
... fool's quip . Yet there is a certain strength in Flamineo's ability to toy with upper - class power in his role as fool . Fools usually erect the phallus only to deflate it , and then re - erect it . Thus the phallus can be valorised ...
Seite 167
... fool figure rests : the mock unveiling of the phallus as faeces . ' Veiling ' is where the duality of the phallic symbol occurs . So fools juggle with the duality of power - unmasking authority as necessarily symbolic . even , The Fool ...
... fool figure rests : the mock unveiling of the phallus as faeces . ' Veiling ' is where the duality of the phallic symbol occurs . So fools juggle with the duality of power - unmasking authority as necessarily symbolic . even , The Fool ...
Inhalt
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Urheberrecht | |
30 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York