Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White DevilHarvester Wheatsheaf, 1989 - 187 Seiten |
Im Buch
Ergebnisse 1-3 von 23
Seite 135
... Flamineo blames his mother for the social structure which leaves him impoverished . The real differences between people , according to Flamineo , are those of class and money . Women are merely the means by which one gets on in the ...
... Flamineo blames his mother for the social structure which leaves him impoverished . The real differences between people , according to Flamineo , are those of class and money . Women are merely the means by which one gets on in the ...
Seite 138
... Flamineo here plays upon both the instability of desire as well as upon the popular notion that women really only cover their lasciviousness with appearances of modesty . He draws the bizarre yet pertinent analogy between sexual ...
... Flamineo here plays upon both the instability of desire as well as upon the popular notion that women really only cover their lasciviousness with appearances of modesty . He draws the bizarre yet pertinent analogy between sexual ...
Seite 162
... Flamineo by means of an implicit contrast with the sexually superior Bracciano . Camillo , it seems , is not a ' real ' man at all - he is ' carved ' or castrated : ' You need not have carved him in faith , they say / he is a capon ...
... Flamineo by means of an implicit contrast with the sexually superior Bracciano . Camillo , it seems , is not a ' real ' man at all - he is ' carved ' or castrated : ' You need not have carved him in faith , they say / he is a capon ...
Inhalt
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Urheberrecht | |
30 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York