Adam StylePreservation Press, 1992 - 240 páginas In the mid-Georgian era, between 1750 and 1785, a form of domestic neo-classicism arose that came to be named after the outstanding architect of the period, Robert Adam. This book contains examples of that style, and shows the ways in which they were designed and decorated. |
Conteúdo
Preface | 7 |
Chapter One Adam Style 58 | 30 |
Chapter Two The Architectural Shell 91 | 58 |
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20 St James's Adam brothers Adam Style Adam's day Adelphi Antiquities of Athens architect architectural Bath became blue brass brick Britain and America British building carpets ceiling ceramic chairs chimneypiece Chinese chintz classical Coade colonies colour composition contemporaries cornice cotton curtains decoration drawing room eighteenth century Eleanor Coade elegant English English Heritage engraved Etruscan example expensive fabric factory fashion fireplace floor French frieze George Georgian glass grate Greek hangings Harewood House Hepplewhite historic homes Horace Walpole interiors invention ironwork James John John Linnell Josiah Wedgwood kitchen London manufacture marble mid-Georgian motifs mouldings Museum Neo-Classical Nostell Priory Opposite original ornaments Osterley painted Palladian papers patterns period pieces plaster popular printed rivals Robert Adam Rococo scagliola seat furniture St James's Square stone Street Stuart and Revett stucco Syon House taste terrace Thomas Chippendale tiles typical wall wallpaper Ware Wedgwood William window