Themes in Drama: Volume 3, Drama, Dance and MusicJames Redmond Cambridge University Press, 1981 - 254 páginas This collection surveys madness in drama. It includes articles on "The Duchess of Malfi"; virginity and hysteria in "The Changeling"; the confined spectacle of madness in Beys's "The Illustrious Madmen"; The male gaze in "Woyzeck" - representing Marie and madness; and other drama examples. |
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... baroque dances in the serious or noble style : their notation and performance 71 by WENDY HILTON Dance in America in the 1970s : a personal view from Los Angeles 85 by CHRISTENA L. SCHLUNDT Music , dance and text in nō drama 103 by ...
... baroque dances in the serious or noble style : their notation and performance 71 by WENDY HILTON Dance in America in the 1970s : a personal view from Los Angeles 85 by CHRISTENA L. SCHLUNDT Music , dance and text in nō drama 103 by ...
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On directing Mahagonny I | 1 |
Dance and Greek drama | 25 |
The hellenism of early Italian opera 137 | 31 |
Cole Porter in the American musical theatre | 47 |
their | 71 |
a personal view from Los Angeles | 85 |
Music dance and text in nō drama | 103 |
romantic opera | 123 |
adaptation or creation? | 143 |
vi | 146 |
baroque drama under control | 155 |
revisions and orthodoxies | 191 |
W B Yeatss dramatic imagination | 203 |
a reply to Michael Anderson | 225 |
Stanislavskis and Brechts street scenes | 235 |
248 | |
Termos e frases comuns
action actor Aida Amonasro Annabella audience Ballet baroque baroque dance Bassanes Begbick begin the beguine Bella Lewitzky Brecht Calantha century character choreographer chorus classical Cole Porter comedy composer conventional courtly critical dance dancers death Desdemona dialogue dramatist duet emotional English Fatty feeling Fernando Figaro Ford Ford's Giovanni Greek guarda hataraki Huebert irony Italian Ithocles Jacobean Jago John Ford kind King Kostya language libretto lines literary London lovers lyric Mahagonny mask melancholy melody modern Monteverdi moral musical theatre opera Orgilus Otello passion Penthea performance Perkin Perkin Warbeck play plot poem poetry production Restoration drama rhyme rhythm role romantic scene score singing sister song Soranzo speech stage Stanislavski stanza Stavig structure style sung theatre theatrical theme thought Threepenny Opera tion Tis Pity tradition tragedy Trinity verbal verse Vision W. B. Yeats Warbeck woman words Yeats Yeats's York Zeami