Themes in Drama: Volume 3, Drama, Dance and Music
Cambridge University Press, 19 de mar. de 1981 - 254 páginas
This collection surveys madness in drama. It includes articles on "The Duchess of Malfi"; virginity and hysteria in "The Changeling"; the confined spectacle of madness in Beys's "The Illustrious Madmen"; The male gaze in "Woyzeck" - representing Marie and madness; and other drama examples.
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On directing Mahagonny I
Dance and Greek drama
The hellenism of early Italian opera
Cole Porter in the American musical theatre
a personal view from Los Angeles
Music dance and text in no drama
adaptation or creation?
baroque drama under control
revisions and orthodoxies
W B Yeatss dramatic imagination
a reply to Michael Anderson
Stanislavskis and Brechts street scenes
Music in the theatre à propos of Aida act II
accepted action actor Aida appears audience Ballet baroque becomes begin Brecht bring called century character claims clear close comedy composer contrast conventional course court create critical dance dancers death discussion drama effect emotional English example expression face fact feeling Figaro final followed Ford Ford's friends Giovanni give given Greek tragedy hand heart human important interest Italy kind King language less lines London look Love's Sacrifice lyric Mahagonny material means mind moral move nature never once opening opera original Parma passion performance piece play poem poetry Porter present production remains role scene seems singing song speech stage structure style suggests theatre theatrical thought tradition tragedy true turns University verse whole woman writing Yeats Yeats's York young