Shakespeare's Comedy of LoveMethuen, 1974 - 272 Seiten "Shows that what distinguishes the comedies is not their similarity but their variety - the way in which each play is a new experiment, a new combination of essentially the same ingredients... By approaching each play as an individual work of art, related to its predecessors, but essentially autonomous, the author is able to examine it with the clarity of perception that characterises the best theatrical approaches to Shakespeare (and, indeed, the play in performance is kept in mind throughout). From this examination emerge some surprising and original perspectives."--Back cover. |
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Seite 46
... TRANIO : Saw you no more ? Mark'd you not how her sister Began to scold and raise up such a storm That mortal ears might hardly endure the din ? LUCENTIO : Tranio , I saw her coral lips to move , And with her breath she did perfume the ...
... TRANIO : Saw you no more ? Mark'd you not how her sister Began to scold and raise up such a storm That mortal ears might hardly endure the din ? LUCENTIO : Tranio , I saw her coral lips to move , And with her breath she did perfume the ...
Seite 47
... Tranio and Hortensio comment on the fickleness of womankind ( though it is characteristic of the play's ironies that neither of them has the right to complain of deceit , since both are at this point disguised ) . The courting of Bianca ...
... Tranio and Hortensio comment on the fickleness of womankind ( though it is characteristic of the play's ironies that neither of them has the right to complain of deceit , since both are at this point disguised ) . The courting of Bianca ...
Seite 60
... Tranio's view of education : while acknowledging the importance of " This virtue and this moral discipline ' he insists , ' No profit grows where is no pleasure ta'en ' ( 1. i . 30 , 39 ) . The same may be said of Petruchio's education ...
... Tranio's view of education : while acknowledging the importance of " This virtue and this moral discipline ' he insists , ' No profit grows where is no pleasure ta'en ' ( 1. i . 30 , 39 ) . The same may be said of Petruchio's education ...
Inhalt
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antipholus Antonio Armado audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne's Bianca Boyet CALIFORNIA/SANTA CRUZ Cesario characters clowns Comedy of Errors comic convention courtship CRUZ The University detachment disguise dislocation Don Pedro dramatic idiom Duke effect Ephesus experience eyes fairies feeling final scene formal Gentlemen of Verona give harmony hath Hermia idea Jaques Jessica joke Julia Katherina kind lady Leonato London lord Love's Labour's Lost lovers Lucetta Malvolio marriage Menaechmi Merchant of Venice Midsummer Night's Dream mind nature Olivia Orlando Orsino pattern Petruchio play's plot Portia Proteus reality rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare's comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA Viola vision words