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ope Dædalea

iv. 2, v. 2. but dedaleus from δαιδάλεος (synonymous with dedalus, πολυδαίSamos, from Sandoadeiv), is properly short; examples of which are numerous. We do not lay down this rule, however, in an unqualified manner.

P. 385. Quantity of e in compounds.—Silius Italicus makes the e in liquefactus long in one instance, Lib. i. '“Ossa liquefactis fumarunt fervida membris."

P. 387, 1. 9. The author is mistaken in saying that the latter syllable of ambo is always short. Ambo florentes ætatibus, Arcades ambo.

Virg. Ecl. vii. 4.
Ambo propositum peragunt iter.

Hor, Sat, ii, 6, v..99.
Scilicet invictos ambo certamine cursus
Esse deus voluit.

Ovid. Met. vii. 792. P. 386. “ A is short in nouns, except the ablative singular of the first declension, and Greek proper games in as," Feminine proper names in ra, from the Greek på, ought also to be excepted. Mittit Hypermnestra de tot modo fratribus uni.

Ovid. Ep. Hypermnestræ, Perdat opes Phædra; parces, Neptune, nepoti.

Id. Remed. Amor. 743. P. 387. “ Y in the termination), which occurs only in Greek words, is always long.” This is a mistake. . Moly vocant Superi.

Ov. Met. xiv. 292. (from Ηom. Οd. κ. Μώλυ δέ μιν καλέoυσι θεοί.) fatis tibi, Tiphy, negatum.

Val. Flacc. v. 104. Perhaps, indeed, the author wrote long by an oversight for short, as in p. 386, 1. 2, quandoquidem for quandoquidem. We noticed another error (among several of less importance) in p, 189, note 2, 1. 6, quidem for quidam.

6. O quid solutis est beatius curis ?

Quum mens onus reponit, et peregrino
Labore fessi venimus Larem ad nostrum,
Desideratoque acquiescimus lecto.

Catullus, ad Sirm. Thus imitated by a modern Latin poet:

Tu quoque natali terra sejuncta tot annos
Ecce domi veram petis, inveniesque, quietem.
Et tibi quid toto fuerit jucundius ævo
Quam pleni gemitus animi brevis ille, reposto
Pondere, quum veterem jacet intra sarcina portam,
Blandaque deserti complectere frigora lecu?

Gebirus, v. 83. In Leigh Hunt's translation of the above poem of Catullus there is a beautiful line, expressive of the "pleni animi gemitus"

How gladly do I sink upon thy breast !

With what a sigh of full contented rest ! One or two remarks in the preface and notes to “ Gebirus” are worth quoting:

“ Nonne igitur menti, subjectus est, inquies, stylus ? Sæpius, mi frater, stylo mens quam mente stylus dirigitur. In excellentibus operum locis, mente aguntur omnia : super reliqua (et aream ea, dii boni ! quanto ampliorem occupant) styli magisterium est.”

We give part of his criticism on Horace's translation of the opening lines of the Odyssey, “ Dic mihi, Musa, virum, &c.

“ Ulyssem ait hic (Horatius) et multos hoinines et multas urbes vidisse. Quidni? Viderunt imbelles; pessimi viderunt infimique ; canes porro simiæque : ille autem (Homerus) vices permultas expertum esse rerum fortunarumque, quinetiam perplurima passum ait, idque uno, ut antea, præpollenti, et locum munitissimum occupante verbo."

He accumulates a number of passages from Virgil to prove that the letter r has a natural tendency to lengthen the short vowel which precedes it: Omnia vincit amor, et-Æquus uterque labor, æqui-Littora jactetur, odiis,&c. &c., adding, that in all these instances the lengthened syllable coincides with a pause in the sense, and that in all, except one, it is preceded by a dactyl: we believe, however, that more exceptions are to be found.

7. The following deserve noticing as some of the commonest instances of inaccurate rendering of Greek words.

opaceiv is translated “to speak,” whereas its meaning is, “ to

! Newton in his commentary on Milton, points out another fault in this translation of Horace. “ In all these instances, (the exordiums of Homer and Virgil), as in Milton, the subject of the poem is the very

first thing offered to us, and precedes the verb with which it is connected. It must be confessed, that Horace did not regard this, when he translated the first line of the Odyssey, Dic mihi, Musa, virum," &c.


"" to intimate.” Tóvos is rendered “ labor;" it is rather “ suffering,” or “ painful exertion." "IoTaoba, is not " to stand,” but “ to station one's self.” So also its compounds. Ilapézet is considered as synonymous with præbere,“ to afford or supply;" it is difficult to find a word which will exactly express it, but certainly this is not its proper meaning. Quiveria is rendered “ to appear;" the primary signification, " to show or discover one's self," is, perhaps, the more common. Tyváo xEWY is rendered as if synonymous with eldevas. The blending of the ideas of defence and revenge, in åpúverv, Tilapelv, &c., renders it difficult to give the force of these words in another language. Γίγνεσθαι ought to be properly distinguished from είναι. Παρείναι usually nieans, to be arrived," " to have come :” Tápels toúTOU Évexa, I am come on this account, &c. Oavukçay is not so much to wonder, or to admire, as to regard strongly. Nữ &è, following a conditional proposition, as in Thục. i. 68, el pèy αφανείς που όντες ήδίκουν την Ελλάδα, διδασκαλίας αν ως ουκ είδόσι προσέδει·. νύν δε τί δεί μακρηγορείν, κ. τ. λ. should be translated “but as it is," not "but now. In Latin, labor is misconstrued in the same manner as πόνος. . Terror is not synonymous with the English word to which it has given origin; it is rather the causing of terror, the act of terrifying; terror from terrere, as timor from timere. Neither does the English word rupid answer tu the Latin rapidus, which signifies hasty, violent, impetuous, from rapere. Appurere is not to appear, but to begin to appear, lo become an object of sight. These are but a few among an infinity of instances of the same kind.

8. We do not know whether the metaphor, vñgas & o&uras, in Phoenix's speech to Achilles, Il. I., has been illustrated by that in Od. Ψ. 156. Κάλλεϊ-οίω περ ευστέφανος Κυθέρεια Χρίεται, κ. τ. λ. Compare Hesiod. "Εργ. 65. χάριν αμφιχέαι κεφαλή.

9. Macpherson is said to have purposely interspersed his Ossian with fragments of hexameters, as well as with whole lines: perhaps the following was one--its cadence may be easily rendered in Greek : Mourn, ye sons of song, the death of the noble Sisthallin. Κλαϊ, ως

κλαίειν 1 χρή, Σειβάλλινος oitov aylavoũ. There is certainly a peculiar system pursued, both in the

! Milton uses

appear" in the classical sense :
With thousand thousand stars, that then appeard,
Spangling the hemisphere.

Paradise Lost, vii.

rhythm, and in the formation of the sentences, of Macpherson's
work, which it might be not incurious to develope,
10. Αpoll. Rhod, iii. 159.

Αυταρ έπειτα πύλας εξήλυθεν Ολύμποιο
αιθερίας: ένθεν δε καταιβάτις εστί κέλευθος
ουρανίη δοιοί δε πόλοι ανέχουσι κάρηνα
ουρέων ηλιβάτων, κορυφαί χθονός:
νειόθι δ' άλλοθι γαία φερέσβιος, άστεά τ' ανδρών
φαίνετο, και ποταμών Ιεροί ρόοι· άλλοτε δ' αύτε

άκρίες, κ. τ. λ. So, Milton, describing the descent of Raphael, Paradise Lost, iv. 253.

till at the gate
Of Heav'n arrived, the gate self-open'd wide, &c,
From hence, no cloud, or, to obstruct his sight,
Star interpos'd, however small he sees,
Not unconform to other shining globes,
Earth and the garden of God, with cedars crown'd

Above all hills.
11. Αpoll. Rhod. i. 597.

Κείθεν δ' ευρυμένας σε πολυκλόστους τε φάραγγας

"Οσσης Ούλύμποιό τ' εσέδρακον Apollonius seems to have had an eye for the phenomena of nature. The only other poet whom we remember as noticing the same remarkable appearance, is the author of " Gebirus," above-mentioned: i. 115.

visum-pratis fluere altius æquor. . 12. Instances of unique formations of verses in Homer. ΙΙ. Ι. 394. Πηλεύς θην μοι έπειτα γυναίκα γαμώσσεται αυτός. There is no other instance of a word consisting of an amphibrachys in this place of the line, followed by a polysyllable; unless ¥. 587, may be considered as such:

*Ανσχεο νύν, πολλών γαρ έγωγε νεώτερός είμι-which the enclitic ye may be considered as rendering doubtful, Ω. 753.

'Ες Σάμον, ές τ' "Ίμβρον, και Λήμνον αμιχθαλόεσσαν: This is the only instance in Homer of a line ending with a word of six syllables, consisting of a short syllable, a dactyl, and a spondee. With the substitution of a spondee for the dactyl, this termination occurs not unfrequently.

This passage was pointed out to us by a friend, who had had occasion to observe its fidelity to nature; we being ourselves livers on land.


Αυτάρ και μούνος έην μετά πέντε κασιγνήτησιν.

Il. K. 317. Φ. 63.-Γη φυσίζοος, ήτε κατά κρατερόν περ ερύκει. This, we believe, is a solitary instance of a pause at the end of the second foot, where that foot is a dactyl. The following agrees better with the ordinary flow of Homer's versification:

Γη φυσίζοος έσχ', ήτ' εσθλόν περ κατερύκει. Such minute observations as the above ought not to be rejected as mere trifling; as by observing what is particularly repugnant to any rhythmical system, we gain a proportional insight into the nature of the system itself. More especially, nothing that has any relation to such a subject as Homer can be considered as uninteresting.

13." The third method mentioned by Aristotle (of raising the language to the standard of poetry), is—the lengthening of a phrase by the addition of words, which may either be inserted or omitted, as also by the extending or contracting of particular words by the insertion or omission

of certain syllables. Milton has put in practice this method of raising his language, as far as the nature of our tongue will permit; as in the passage abovementioned, eremite, for what is hermit in common discourse, But this practice is more particularly remarkable in the names of persons and of countries, as Beëlzebub, Hesebon, and in many other particulars, wherein he has either changed the name, or made use of that which is not commonly known, that he might the better depart from the language of the vulgar.” Addison, Critique on Paradise Lost. If, by this, it is intended to imply that Milton is in the habit of coining new forms of received words, ad libitum, it appears to be altogether a mistake. Of Beelzebub we know nothing, except that it is a quadrisyllable in Greek, Been feßoúa; but Hesebon is the Latin form of Heshbon, as in a religious ode of a modern Latin poet,

Semper illimes Esebonis undæ : and eremite, we need not observe, is the original form of hermit. The same will be found to be the case with all the unusual forms which occur in Milton. Paradise Lost, iii. 36.

And Tiresias, and Phineus, prophets old Some of the critics wish to expunge this verse, on account of

Where Pore (after Chapman) translates xpatigor, Hercules.

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