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" That, like it or not, is the way to learn to write; whether I have profited or not, that is the way. It was so Keats learned, and there was never a finer temperament for literature than Keats... "
The Novels and Tales of Robert Louis Stevenson... - Página 213
de Robert Louis Stevenson - 1895
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Education, Volume 24

1904 - 692 páginas
...Sir Thomas Browne, he concludes with a paragraph which I take the liberty of quoting in full : — "That, like it or not, is the way to learn to write;...was never a finer temperament for literature than Keats' ; it was so, if we could trace it out, that all men have learned ; and that is why a revival...
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The Sewanee Review, Volume 18

1910 - 558 páginas
...vain bouts, I got some practice in rhythm, and harmony, in construction and the coordination of parts. "That, like it or not, is the way to learn to write...we could trace it out, that all men have learned. . . . Burns is the very type of a prime force in letters ; he was of all men the most imitative. Shakespeare...
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Journal of the Michigan Schoolmasters' Club, Volume 22;Volumes 31-40

Michigan Schoolmasters' Club - 1894 - 554 páginas
...Wordsworth, to Sir Thomas Browne, to Defoe, to Hawthorne, to Montaigne, to Baudelaire, and to Obermann. This, like it or not, is the way to learn to write ; whether...way. It was so Keats learned, and there was never a riner temperament for literature than Keats ; it was so, if we could trace it out, that all men have...
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The Novels and Tales of Robert Louis Stevenson, Volume 13

Robert Louis Stevenson, Lloyd Osbourne, Fanny Van de Grift Stevenson, William Ernest Henley - 1895 - 380 páginas
...stage itself and was played by bodily actors; the other, originally known as Semiramis: a Tragedy, 1 have observed on bookstalls under the alias of Prince...whether I have profited or not, that is the way. It was 213 MEMORIES AND PORTRAITS so Keats learned, and there was never a finer temperament, for literature...
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The Principles of Rhetoric

Adams Sherman Hill - 1895 - 460 páginas
...bouts I got some practice in rhythm, in harmony, in construction, and the co-ordination of parts. " That, like it or not, is the way to learn to write ; whether 1 have profited or not, that is the way. It was so Keats learned, and there was never a finer temperament...
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Pope's The Iliad of Homer: Books I, VI, XXII, and XXIV.

Homer - 1896 - 236 páginas
...bouts I got some practice in rhythm, in harmony, in construction, in the coordination of parts. . . . That, like it or not, is the way to learn to write." Yes, in that way Pope learned. He imitated his favorite poets; he tried all styles, and handled the...
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Library of the World's Best Literature: Ancient and Modern, Volume 35

Charles Dudley Warner - 1896 - 628 páginas
...elements of the art, — the choice of the essential note and the right word"; but he also knew that "-that, like it or not, is the way to learn to write." To those who say that this is not the way to be original, he has given the best answer : " It is not...
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... Pope's The Iliad of Homer, Book I, VI, XXII, and XXIV.

Homer - 1898 - 226 páginas
...bouts I got some practice in rhythm, in harmony, in construction, in the coordination of parts. . . . That, like it or not, is the way to learn to write." Yes, in that way Pope learned. He imitated his favorite poets; he tried all styles, and handled the...
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Robert Louis Stevenson

Leslie Cope Cornford - 1899 - 216 páginas
...to Defoe, to Hawthorne, to Montaigne, to Baudelaire, and to Obermann. That [he adds, with finality], like it or not, is the way to learn to write; whether I have profited or not, that is the way. 1 Well, it was undoubtedly the way, and the only way, for Stevenson, since he deliberately elected...
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Robert Louis Stevenson

Leslie Cope Cornford - 1899 - 232 páginas
...Defoe, to Hawthorne, to Montaigne, to Baudelaire, and to Obermann. That [he adds, with finality] , like it or not, is the way to learn to write ; whether I have profited or not, that is the way.1 Well, it was undoubtedly the way, and the only way, for Stevenson, since he deliberately elected...
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