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achievement American artist beauty become begins called century civilization common complete conception concern course create creative criticism effect elements emotion English essay essential esthetic example experience expression fact failed feeling field function genius give hand heart human ideal ideas imagination important impression individual intelligence interest judge judgment kind knowledge least less letters literary literature live material matter mean merely method mind moral nature never object once original ourselves past perhaps philosophic poem poet poetry practice present professors pure Puritan question race reality reason result reviewing rules seems sense society soul speak Spingarn spirit standards success taste theory thing thought tion tradition true truth turn understand universal vision whole write young
Página 214 - ... the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
Página 214 - This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his own contemporaneity.
Página 259 - I feel how weak and fruitless must be any words of mine which should attempt to beguile you from the grief of a loss so overwhelming. But I cannot refrain from tendering to you the consolation that may be found in the thanks of the Republic they died to save. I pray that our heavenly Father may assuage the anguish of your bereavement, and leave you only the cherished memory of the loved and lost, and the solemn pride that must be yours to have laid so costly a sacrifice upon the altar of freedom.
Página 322 - I would define, in brief, the Poetry of words as The Rhythmical Creation of Beauty. Its sole arbiter is Taste. With the Intellect or with the Conscience, it has only collateral relations. Unless incidentally, it has no concern whatever either with Duty or with Truth.
Página 180 - First, we must have made plain to ourselves what the poet's aim really and truly was, how the task he had to do stood before his own eye, and how far, with such means as it afforded him, he has fulfilled it.
Página 257 - ... to clothe home scenes and places and familiar names with those imaginative and •whimsical associations so seldom met with in our new country, but which live like charms and spells about the cities of the old world, binding the heart of the native inhabitant to his home.
Página 225 - The business of the poet is not to find new emotions but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all. And emotions which he has never experienced will serve his turn as well as those familiar to him. Consequently, we must believe that "emotion recollected in tranquillity
Página 214 - No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead.
Página 117 - Thus it tends, at last, to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces ; to make the best ideas prevail.
Página 215 - The existing order is complete before the new work arrives ; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered ; and so the relations, proportions, values of each work of art toward the whole are readjusted ; and this is conformity between the old and the new. Whoever has approved this idea of order, of the form of European, of English literature, will not find it preposterous that the past \ | should be altered by the present as...