CEA Critic, Volumes 61-62Department of English, Texas A & M University, 1998 |
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Página 48
... poem's narrator , chooses to animate such " infinities . " The shapelessness of the figure at first appears " inhuman " to the poem's narrator : " knees hugged tight up into the belly / Egg - shaped ! " ( 15– 16 ) . The narrator is , of ...
... poem's narrator , chooses to animate such " infinities . " The shapelessness of the figure at first appears " inhuman " to the poem's narrator : " knees hugged tight up into the belly / Egg - shaped ! " ( 15– 16 ) . The narrator is , of ...
Página 53
... poem and its critiques . 99 But simply noting these sorts of differences suggests that each piece of criticism is independent of the others and thus leads to reductive readings . of both the poem and its critiques , not to mention the ...
... poem and its critiques . 99 But simply noting these sorts of differences suggests that each piece of criticism is independent of the others and thus leads to reductive readings . of both the poem and its critiques , not to mention the ...
Página 54
... poem's formal qualities perfectly mirror or “ enact " its subject . For the New Critics , the form of the poem - the balance and tension of syntactically complex rhymed couplets , reliance on paradox , use of figures such as zeugma and ...
... poem's formal qualities perfectly mirror or “ enact " its subject . For the New Critics , the form of the poem - the balance and tension of syntactically complex rhymed couplets , reliance on paradox , use of figures such as zeugma and ...
Conteúdo
A WholeLanguage Approach | 18 |
What English Majors Need to Hear | 24 |
Myths Truths and | 34 |
Direitos autorais | |
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