In Contact With the Gods?: Directors Talk TheatreMaria M. Delgado, Paul Heritage Manchester University Press, 1996 - 342 páginas In 1994 the Arts Council of Great Britain brought together a number of theatre directors as part of the City of Drama celebrations. This is a collection of interviews and discussions with directors who have helped shape the development of theatre in the last 20 years. They include Peter Brook, Peter Stein, Augusto Boal, Jorge Lavelli, Lluis Pasqual, Lev Dodin, Maria Irene Fornes, Jonathan Miller, Jatinder Verma, Peter Sellars, Declan Donnellan, Ariane Mnouchkine, Ion Caramitru, Yukio Ninagawa and Robert Wilson. In addition to the art and craft of directing, there are discussions on multiculturalism; the "classical" repertoire; theatre companies and institutions; working in a foreign language; opera; Shakespeare; new technologies; the art of acting; design; international festivals; politics and aesthetics; the audience; and theatre and society. Finally, there is an epilogue by Peter Brook, Jonathan Miller and Oliver Sacks. |
De dentro do livro
Resultados 1-5 de 56
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... theatrical and social situation around them . This is most clearly apparent in the discussion by Caramitru of his approaches to text and theatrical activity during Communist rule in Romania , but it emerges in Strehler talking.
... theatrical and social situation around them . This is most clearly apparent in the discussion by Caramitru of his approaches to text and theatrical activity during Communist rule in Romania , but it emerges in Strehler talking.
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... theatrical language that the play may have acquired throughout four centuries . Despite the apparent jour- nalistic readings that he often makes of classic texts , Sellars explains that one of the profound reasons why these texts occupy ...
... theatrical language that the play may have acquired throughout four centuries . Despite the apparent jour- nalistic readings that he often makes of classic texts , Sellars explains that one of the profound reasons why these texts occupy ...
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... theatrical and social INTRODUCTION organisation of the age is reflected in the way in which the play is written and constructed . According to Stein , the stage is a kind of family life and as director his role in that family changes ...
... theatrical and social INTRODUCTION organisation of the age is reflected in the way in which the play is written and constructed . According to Stein , the stage is a kind of family life and as director his role in that family changes ...
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... theatrical process to discover that ' even if we do not make theatre , we are theatre . To be theatre is to be human , because only humans are capable of observing themselves in action ' ( p . 35 ) . Lepage gives us the title for the ...
... theatrical process to discover that ' even if we do not make theatre , we are theatre . To be theatre is to be human , because only humans are capable of observing themselves in action ' ( p . 35 ) . Lepage gives us the title for the ...
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... theatrical production , but not necessarily by means of their own distinctive interpretative vision of the text . It is in liberating the actor to achieve the closest possible relationship with the audience that many of them would see ...
... theatrical production , but not necessarily by means of their own distinctive interpretative vision of the text . It is in liberating the actor to achieve the closest possible relationship with the audience that many of them would see ...
Conteúdo
AUGUSTO BOAL | |
PETER BROOK | |
ION CARAMITRU | 7 |
LEV DODIN | |
DECLAN DONNELLAN AND NICK ORMEROD | 7 |
MARIA IRENE FORNES | |
JORGE LAVELLI | |
ROBERT LEPAGE | |
LLUÍS PASQUAL | 3 |
PETER SELLARS | 25 |
PETER STEIN | 11 |
GIORGIO STREHLER | 17 |
JATINDER VERMA | |
ROBERT WILSON | |
Six hemispheres in search of PETER BROOK JONATHAN MILLER AND OLIVER SACKS IN CONVERSATION | |
NOTES ON CONTRIBUTORS | 11 |
Termos e frases comuns
acting actors actually Ariane Mnouchkine artistic AUDIENCE QUESTION AUGUSTO BOAL BILLINGTON Boal Brecht British CARAMITRU character Cheek by Jowl Chekhov classics CONTACT contemporary create culture DECLAN DONNELLAN DELGADO directing director Dodin DONNELLAN Drama English Europe European everything experience feel Festival film French German Giorgio Strehler GODS GOLDENBERG happens Hiroshima human idea important interesting Japanese Jonathan Miller JORGE LAVELLI kind language Lev Dodin live Lluís Pasqual London look Manchester Maria Irene Fornes MCALPINE mean Molière National Theatre never NINAGAWA Odéon opera Paris performance person Peter Brook Peter Sellars Peter Stein Piccolo play playwright political problem production realise rehearsal ROBERT LEPAGE Robert Wilson role Romania Schaubühne sense someone sometimes sort space stage story Strehler talk Teatro tell Théâtre de l'Europe theatrical there's things tion tour tradition what's William Shakespeare word writing Yukio Ninagawa