In Contact With the Gods?: Directors Talk TheatreMaria M. Delgado, Paul Heritage Manchester University Press, 1996 - 342 páginas In 1994 the Arts Council of Great Britain brought together a number of theatre directors as part of the City of Drama celebrations. This is a collection of interviews and discussions with directors who have helped shape the development of theatre in the last 20 years. They include Peter Brook, Peter Stein, Augusto Boal, Jorge Lavelli, Lluis Pasqual, Lev Dodin, Maria Irene Fornes, Jonathan Miller, Jatinder Verma, Peter Sellars, Declan Donnellan, Ariane Mnouchkine, Ion Caramitru, Yukio Ninagawa and Robert Wilson. In addition to the art and craft of directing, there are discussions on multiculturalism; the "classical" repertoire; theatre companies and institutions; working in a foreign language; opera; Shakespeare; new technologies; the art of acting; design; international festivals; politics and aesthetics; the audience; and theatre and society. Finally, there is an epilogue by Peter Brook, Jonathan Miller and Oliver Sacks. |
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... language ; opera ; Shakespeare ; new technologies ; the art of acting ; design ; international festivals ; politics and aesthetics ; the audience ; theatre and society . An extraordinary epilogue by Peter Brook , Jonathan Miller and ...
... language ; opera ; Shakespeare ; new technologies ; the art of acting ; design ; international festivals ; politics and aesthetics ; the audience ; theatre and society . An extraordinary epilogue by Peter Brook , Jonathan Miller and ...
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... language than his own , the director loses 50 per cent of his possibilities according to Stein , who emphasises that if you are working outside of your own language you must be con- vinced that you can give something else to the actors ...
... language than his own , the director loses 50 per cent of his possibilities according to Stein , who emphasises that if you are working outside of your own language you must be con- vinced that you can give something else to the actors ...
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... language and culture . At times this cultural potency can be used to dynamic effect to protect radical work , as in the stories Caramitru tells of the productions in Romania . Other directors seek to explain the power of the plays by ...
... language and culture . At times this cultural potency can be used to dynamic effect to protect radical work , as in the stories Caramitru tells of the productions in Romania . Other directors seek to explain the power of the plays by ...
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... audiences can be heard exploring and questioning all these issues with the directors in a public forum . With the exception of the interview with Strehler , the texts that are presented here started as oral and not written language.
... audiences can be heard exploring and questioning all these issues with the directors in a public forum . With the exception of the interview with Strehler , the texts that are presented here started as oral and not written language.
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... language . The transition from one form to the other involves many changes . In the process of editing the interviews we have tried to maintain as much of the feel of the original public conversation while making the book functional and ...
... language . The transition from one form to the other involves many changes . In the process of editing the interviews we have tried to maintain as much of the feel of the original public conversation while making the book functional and ...
Conteúdo
AUGUSTO BOAL | |
PETER BROOK | |
ION CARAMITRU | 7 |
LEV DODIN | |
DECLAN DONNELLAN AND NICK ORMEROD | 7 |
MARIA IRENE FORNES | |
JORGE LAVELLI | |
ROBERT LEPAGE | |
LLUÍS PASQUAL | 3 |
PETER SELLARS | 25 |
PETER STEIN | 11 |
GIORGIO STREHLER | 17 |
JATINDER VERMA | |
ROBERT WILSON | |
Six hemispheres in search of PETER BROOK JONATHAN MILLER AND OLIVER SACKS IN CONVERSATION | |
NOTES ON CONTRIBUTORS | 11 |
Termos e frases comuns
acting actors actually Ariane Mnouchkine artistic AUDIENCE QUESTION AUGUSTO BOAL BILLINGTON Boal Brecht British CARAMITRU character Cheek by Jowl Chekhov classics CONTACT contemporary create culture DECLAN DONNELLAN DELGADO directing director Dodin DONNELLAN Drama English Europe European everything experience feel Festival film French German Giorgio Strehler GODS GOLDENBERG happens Hiroshima human idea important interesting Japanese Jonathan Miller JORGE LAVELLI kind language Lev Dodin live Lluís Pasqual London look Manchester Maria Irene Fornes MCALPINE mean Molière National Theatre never NINAGAWA Odéon opera Paris performance person Peter Brook Peter Sellars Peter Stein Piccolo play playwright political problem production realise rehearsal ROBERT LEPAGE Robert Wilson role Romania Schaubühne sense someone sometimes sort space stage story Strehler talk Teatro tell Théâtre de l'Europe theatrical there's things tion tour tradition what's William Shakespeare word writing Yukio Ninagawa