The Cambridge Companion to Debussy

Capa
Simon Trezise
Cambridge University Press, 19 de jun. de 2003
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
 

Conteúdo

List of contributors
A Note on the text
Debussy the
Debussys Parisian affiliations
Debussy as musician and critic
Déirdre Donnellon Part II Musical explorations
The prosaic Debussy
Debussy andexpression Nigel Simeone
Julie McQuinn 8 Debussy and nature
form pacing and complexity
Richard S Parks 12 Debussys rhythmicised time SimonTrezise Part IV Performance and assessment
Notes
Select bibliography
Index

Termos e frases comuns

Sobre o autor (2003)

Simon Trezise is a Lecturer in Music at Trinity College, Dublin. He is the author of Debussy : La mer in the series Cambridge Music Handbooks and has written widely on French music and also on Schoenberg.

Informações bibliográficas