Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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... interest that holds an audience . Shakespeare has already the art of fulfilling , and with the economy that secures dramatic compression , three principal requirements of dramatic structure : retrospect , preparation , and immediate ...
... interest that holds an audience . Shakespeare has already the art of fulfilling , and with the economy that secures dramatic compression , three principal requirements of dramatic structure : retrospect , preparation , and immediate ...
Seite 55
... interest in the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more , ' " 8 I still think that plot ( in a deeper sense than " story " ) is here ...
... interest in the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more , ' " 8 I still think that plot ( in a deeper sense than " story " ) is here ...
Seite 150
... interest in the miracle , rejects on grounds of birth ; and Parolles , who does at least try to show interest , has told us that " he's of a most facinorous spirit that will not acknowledge it to be the " : he breaks off , and perhaps ...
... interest in the miracle , rejects on grounds of birth ; and Parolles , who does at least try to show interest , has told us that " he's of a most facinorous spirit that will not acknowledge it to be the " : he breaks off , and perhaps ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 32 |
Urheberrecht | |
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