Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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Seite 80
... fool away . " Equally unexpected is the fool's retort , " Do you not hear , fellows ? Take away the lady . " This great dame is called a fool by one of her own attendants , who then goes on to prove it : Clown . Good madonna , why mourn ...
... fool away . " Equally unexpected is the fool's retort , " Do you not hear , fellows ? Take away the lady . " This great dame is called a fool by one of her own attendants , who then goes on to prove it : Clown . Good madonna , why mourn ...
Seite 84
... fool , and the fool's retaliation is first to prove Olivia a fool and then to call Malvolio one . But Olivia is amused and Malvolio is not . " I marvel your ladyship takes delight in such a barren rascal . " What Olivia delights in ...
... fool , and the fool's retaliation is first to prove Olivia a fool and then to call Malvolio one . But Olivia is amused and Malvolio is not . " I marvel your ladyship takes delight in such a barren rascal . " What Olivia delights in ...
Seite 86
... fool he began the play by spurning . The fool taunts him in the darkness of the dungeon and he begs the fool to help him to some light . It is to the fool that the man contemptuous of fools is now made to plead his own sanity . But his ...
... fool he began the play by spurning . The fool taunts him in the darkness of the dungeon and he begs the fool to help him to some light . It is to the fool that the man contemptuous of fools is now made to plead his own sanity . But his ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 32 |
Urheberrecht | |
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action Angelo appears asks audience becomes beginning believe Bertram brings brother called characters Christian Claudio comedy comic complete contrast course court critics death disguised Dream Duke effect Elizabethan English Errors expression eyes fact father feeling final follow fool forgiveness given gives happiness Heaven Helena honor human husband idea identity imagination interest Isabel kind King later less lines living lovers Mariana marriage master means Measure for Measure Merchant of Venice mind moral nature nobility Olivia once perhaps persons Plautus play plot poetic present Providence reason regard relation says scene seems sense Shakespeare Shylock situation soliloquy speak speech stage story structure suggest suppose Tale tells theme things thought true turn virtue whole wife woman young