Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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... disguised as a boy , is employed by the man she loves , as Viola is employed by Orsino . In The Taming of the Shrew Christopher Sly is disguised as a lord , Lucentio and Tranio exchange clothes , Lucentio is disguised as Cambio , and a ...
... disguised as a boy , is employed by the man she loves , as Viola is employed by Orsino . In The Taming of the Shrew Christopher Sly is disguised as a lord , Lucentio and Tranio exchange clothes , Lucentio is disguised as Cambio , and a ...
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... disguises himself as Brook ; in All's Well that Ends Well Helena passes herself off in bed as Diana , much as Mariana in Measure for Measure takes Isabella's place in her assignation with Angelo ; in this same play the Duke is disguised ...
... disguises himself as Brook ; in All's Well that Ends Well Helena passes herself off in bed as Diana , much as Mariana in Measure for Measure takes Isabella's place in her assignation with Angelo ; in this same play the Duke is disguised ...
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... disguise because she was already in love with Orsino , he did not need Bandello to teach him ; he had already tried ... disguising herself as a page , assumed the name Cesare , which may well be why Shakespeare's Viola elects to call ...
... disguise because she was already in love with Orsino , he did not need Bandello to teach him ; he had already tried ... disguising herself as a page , assumed the name Cesare , which may well be why Shakespeare's Viola elects to call ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 32 |
Urheberrecht | |
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action Angelo appears asks audience becomes beginning believe Bertram brings brother called characters Christian Claudio comedy comic complete contrast course court critics death disguised Dream Duke effect Elizabethan English Errors expression eyes fact father feeling final follow fool forgiveness given gives happiness Heaven Helena honor human husband idea identity imagination interest Isabel kind King later less lines living lovers Mariana marriage master means Measure for Measure Merchant of Venice mind moral nature nobility Olivia once perhaps persons Plautus play plot poetic present Providence reason regard relation says scene seems sense Shakespeare Shylock situation soliloquy speak speech stage story structure suggest suppose Tale tells theme things thought true turn virtue whole wife woman young