Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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Seite 121
... King becomes Vox Dei , which means that he is merely a voice . Yet at other times , but chiefly in soliloquy , deep personal feeling breaks through . Angelo's temptations and Helena's love are not completely adjusted to the stories ...
... King becomes Vox Dei , which means that he is merely a voice . Yet at other times , but chiefly in soliloquy , deep personal feeling breaks through . Angelo's temptations and Helena's love are not completely adjusted to the stories ...
Seite 128
... King that it is presumption to think Heaven cannot work through the humble . " Of heaven , not me , make an experi- ment . " The King recognizes the power of something greater than herself in Helena's voice and he submits . She is ...
... King that it is presumption to think Heaven cannot work through the humble . " Of heaven , not me , make an experi- ment . " The King recognizes the power of something greater than herself in Helena's voice and he submits . She is ...
Seite 148
... King . He is , however , still reluctant , though from now on the two speakers interweave with each other in rhyme . Helena continues , in directly religious , and here orthodox , terms : Inspired merit so by breath is barr'd : It is ...
... King . He is , however , still reluctant , though from now on the two speakers interweave with each other in rhyme . Helena continues , in directly religious , and here orthodox , terms : Inspired merit so by breath is barr'd : It is ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 32 |
Urheberrecht | |
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action Angelo appears asks audience becomes beginning believe Bertram brings brother called characters Christian Claudio comedy comic complete contrast course court critics death disguised Dream Duke effect Elizabethan English Errors expression eyes fact father feeling final follow fool forgiveness given gives happiness Heaven Helena honor human husband idea identity imagination interest Isabel kind King later less lines living lovers Mariana marriage master means Measure for Measure Merchant of Venice mind moral nature nobility Olivia once perhaps persons Plautus play plot poetic present Providence reason regard relation says scene seems sense Shakespeare Shylock situation soliloquy speak speech stage story structure suggest suppose Tale tells theme things thought true turn virtue whole wife woman young