Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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A Collection of Critical Essays Kenneth Muir. study , that of Bertram ; and at least one speech of great poetic power , Helena's confession to the Countess . Seen through Helena's eyes Bertram is handsome , brave , " the glass of fashion ...
A Collection of Critical Essays Kenneth Muir. study , that of Bertram ; and at least one speech of great poetic power , Helena's confession to the Countess . Seen through Helena's eyes Bertram is handsome , brave , " the glass of fashion ...
Seite 129
... Bertram . Like the rings of Bassanio and Portia , the jewels which are bandied about in the last scene are symbolic of a contract and an estate of life . The King's gem derived from him to Helena , and Bertram neither knows nor cares ...
... Bertram . Like the rings of Bassanio and Portia , the jewels which are bandied about in the last scene are symbolic of a contract and an estate of life . The King's gem derived from him to Helena , and Bertram neither knows nor cares ...
Seite 131
... Bertram's good and evil angels , who , if this were a morality , would contend for his soul in open debate . 35 In the final scene Parolles turns the tables on Bertram , and though the King dismisses the informer with contempt , an ...
... Bertram's good and evil angels , who , if this were a morality , would contend for his soul in open debate . 35 In the final scene Parolles turns the tables on Bertram , and though the King dismisses the informer with contempt , an ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 32 |
Urheberrecht | |
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