Illinois Studies in Language and Literature, Volume 49University of Illinois Press, 1961 |
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Página 21
... Book of Good Love , but these Arabic maqāmāt ~ differ in that their poems are not variations on earlier narratives , they contain no tales or fables , and hardly touch the love theme . Also their two characters are as far removed from ...
... Book of Good Love , but these Arabic maqāmāt ~ differ in that their poems are not variations on earlier narratives , they contain no tales or fables , and hardly touch the love theme . Also their two characters are as far removed from ...
Página 25
... Book of Good Love belongs to the literary genre of the Semitic magāmāt , an essentially didactic genre . The teaching of the maqāmāt is , above all , moralizing ; they also display the author's literary virtuosity and diversified ...
... Book of Good Love belongs to the literary genre of the Semitic magāmāt , an essentially didactic genre . The teaching of the maqāmāt is , above all , moralizing ; they also display the author's literary virtuosity and diversified ...
Página 34
... Book of the Archpriest " So far we have spoken of the author and his environment , of the content , structure , and purpose of the Book of Good Love . Follow- ing in the footsteps of the fifteenth - century minstrel , I will continue ...
... Book of the Archpriest " So far we have spoken of the author and his environment , of the content , structure , and purpose of the Book of Good Love . Follow- ing in the footsteps of the fifteenth - century minstrel , I will continue ...
Conteúdo
Chapter One THE AUTHORS AND THEIR TIMES | 1 |
CONTENT GENRE PURPOSE | 18 |
Chapter Three NOW LET US BEGIN THE BOOK OF THE ARCHPRIEST | 34 |
Direitos autorais | |
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action adventures Alisa Arabic Archpriest Areúsa artistic autobiographical beautiful Book buen amor Calderón Calisto Calisto and Melibea Castilian Celestina Centurio characters Christian convert Dame Convent-trotter daughter death delightful dialogue didactic drama elegiac comedy Elicia episode erudite example fables father Fernando de Rojas frame-story genre go-between Gonzalo de Berceo Hispanic honor humanistic comedy Jews Juan Ruiz Kane's translation La Celestina Lady Garoza Lady Sloe less Libro de buen literary literature Lope de Vega lovers Lucrecia lyrical Madrid maqāmāt medieval Melibea modern Moorish girl moral mudéjar narrates novel old woman originalidad artística Pamphilus Pármeno passion personages Plautus play Pleberio plot poem poet procuress Prologue protagonist reader reality Roman comedy roman courtois Ruiz's Saint scene Sempronio servants Sir Carnal Sir Love Sir Melon situations songs Sosia Spain Spanish Spanish Golden Age stanzas Terence theater tion Tragicomedy traits Tristán twelfth verse words young