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GAY & HANCOCK, LTD.,

12 & 13, HENRIETTA STREET, COVENT GARDEN, W.C.

1914.

E TEN HUNDREDTH THOUSAND,

Price ONE PENNY.

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THE FRONT OF THE LEFT ARM.

THE BACK OF THE LEFT ARM.
From the title page of the First Folio edition of the Shakespeare plays, published in 1623, arranged
Tailor fashion, shoulder to shoulder, as in the Gentleman's Tailor Magazine, April, 1911.

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Shakespeare Myth

HALLIWELL-PHILLIPPS says: "It was not till the Jubilee of
1769 that the tendency to the fabrication of Shakespeare
anecdotes and relics at Stratford Museum became manifest.
All kinds of deception have since been practised there."

The Folio of the Plays, 1623.

T is now universally admitted that the Plays known as Shakespeare's are the greatest "Birth of Time," the most wonderful product of the human mind which the world has ever seen, that they evince the ripest classical scholarship, the most perfect knowledge of Law, and the most intimate acquaintance with all the intricacies of the highest Court life.

The Plays as we know them, appeared in the Folio, published in 1623, seven years after Shakespeare's death in 1616. This volume contains thirty-six plays. Of this number only eight are substantially in the form in which they were printed in Shakespeare's lifetime. Six are greatly improved. Five are practically rewritten, and seventeen are not known to have been printed before Shakespeare's death, although thirteen plays of similar names are registered or in some way referred to.

The following particulars are mainly derived from Reed's "Bacon our Shakespeare," published 1902. The spelling of the first Folio of 1623 has, however, been strictly followed.

The Eight which are printed in the Folio substantially as they originally appeared in the Quartos are:

I.
1. Much adoo about Nothing.

2.

Loves Labour lost.*

3. Midsommer Nights Dreame.

4. The Merchant of Venice.

5. The First part of King Henry the fourth.
6. The Second part of K. Henry the fourth.
7. Romeo and Juliet.

8. The Tragedie of Troylus and Cressida. †

*Note. The scene of the play is Navarre, and three of the characters are Biron, Dumayne, and Boyet. In 1586 from the court of Navarre was issued a passport for Bacon's brother Anthony signed Biron, a passport for Anthony's servant Peter Browne signed Dumayne, and also a second passport for Peter Browne, signed, on behalf of, Boyet. (British Museum Add. MSS. 4125).

Note. This has a new title and a Prologue in the Folio. This extremely learned play which we are told was never "clapper-clawd with the palmes of the vulger or sullied with the smoaky breath of the multitude," has recently been shewn by Mrs. Hinton Stewart to be a satire upon the court of King James I.

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