The Works of William Shakespeare: The Plays Ed. from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, Band 4
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Antonio appears Bass bear better Bianca bond Collier comes common correction daughter Demetrius doth Duke edition Enter Exeunt Exit eyes fair fairy faith father fear folio fool fortune gentle give hand hast hath head hear heart Hermia honour I'll Italy Kath lady leave live look lord lover Lucentio Lysander marry master means mind misprint mistress moon never night Note original passage play poor pray present printed Puck quartos reason ring Rosalind SCENE seems sense Servant Shakespeare's sleep speak speech spirit stand stay sweet tell thank thee thing thou thought Touch true unto Venice wife woman young
Seite 308 - With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste, sans every thing.
Seite 307 - All the world's a stage, And all the men and women merely players : They have their exits and their entrances ; And one man in his time plays many parts, — His Acts being seven ages. At first, the Infant Mewling and puking in the nurse's arms...
Seite 26 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Seite 226 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we...
Seite 227 - The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.
Seite 42 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
Seite 37 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Seite 158 - How like a fawning publican he looks ! I hate him for he is a Christian ; But more for that, in low simplicity, He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Seite 188 - If a Jew wrong a Christian, what is his humility? revenge: if a Christian wrong a Jew, what should his sufferance be by Christian example? why, revenge. The villany you teach me I will execute; and it shall go hard but I will better the instruction.
Seite 290 - The seasons' difference, — as, the icy fang And churlish chiding of the Winter's wind, (Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, This is no flattery,) — these are counsellors That feelingly persuade me what I am.