Forms of Reflection: Genre and Culture in Meditational WritingJohns Hopkins University Press, 1993 - 232 Seiten |
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Seite 85
... fiction . Having conceded that parts of the narrative are “ fiction and fable , ” the statement in the third preface that " there is not a circumstance in the imaginary story but has its just allusion to a real story ” ( xi – xii ) ...
... fiction . Having conceded that parts of the narrative are “ fiction and fable , ” the statement in the third preface that " there is not a circumstance in the imaginary story but has its just allusion to a real story ” ( xi – xii ) ...
Seite 86
... Fictions and Lies . " Defoe does not make a Sidney- ean apology for poetry because the issue between himself and Gildon is not just the relation of fiction to history ( Gildon wrote " true " novels him- self ) but the relation of fiction ...
... Fictions and Lies . " Defoe does not make a Sidney- ean apology for poetry because the issue between himself and Gildon is not just the relation of fiction to history ( Gildon wrote " true " novels him- self ) but the relation of fiction ...
Seite 215
... Fictions , 161. Here , as elsewhere , Defoe cannot bring himself to describe his work as a fiction . This is not because he was unaware ( as has been claimed ) of differences between fact and fiction , but because he does not want his ...
... Fictions , 161. Here , as elsewhere , Defoe cannot bring himself to describe his work as a fiction . This is not because he was unaware ( as has been claimed ) of differences between fact and fiction , but because he does not want his ...
Inhalt
Method and the Varieties of Discourse | 1 |
Denham Walton Cowley and the Decentered Society | 41 |
Providence or Prudence? Fabling in Serious Reflections of Robinson Crusoe | 81 |
Urheberrecht | |
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