Shakespearean CriticismCengage Gale, 2002 - 432 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Página 62
... women advanced by the Duke and Lucio and other predictable patterns of relations between men and women , the most viable alternative sexuality in the play is articulated by its women . The sexual realm controlled by the women affirms ...
... women advanced by the Duke and Lucio and other predictable patterns of relations between men and women , the most viable alternative sexuality in the play is articulated by its women . The sexual realm controlled by the women affirms ...
Página 69
... women's sexuality . The assumptions about men's and women's sexuality that the exchange is based on are , in fact , little different than those the men later use in similar contests of wits . Virginity , which Measure for Measure's nuns ...
... women's sexuality . The assumptions about men's and women's sexuality that the exchange is based on are , in fact , little different than those the men later use in similar contests of wits . Virginity , which Measure for Measure's nuns ...
Página 72
... Women's Studies 9 ( 1981 ) : 47-63 ; Clara Claiborne Park , " As We Like It : How a Girl can be Smart and Still Popular , " in The Women's Part : Feminist Criti- cism of Shakespeare ( Urbana : U of Illinois P , 1980 ) 110-16 . 24 ...
... Women's Studies 9 ( 1981 ) : 47-63 ; Clara Claiborne Park , " As We Like It : How a Girl can be Smart and Still Popular , " in The Women's Part : Feminist Criti- cism of Shakespeare ( Urbana : U of Illinois P , 1980 ) 110-16 . 24 ...
Conteúdo
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Direitos autorais | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young