Shakespearean CriticismCengage Gale, 2002 - 432 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Página 133
... lovers ' first encounter - the sonnet with quatrain - Romeo introduces religious conceits which he had just used to idolize Rosaline , but now he and Juliet act out the tropes , giving them new meaning . Instead of celebrating an ...
... lovers ' first encounter - the sonnet with quatrain - Romeo introduces religious conceits which he had just used to idolize Rosaline , but now he and Juliet act out the tropes , giving them new meaning . Instead of celebrating an ...
Página 195
... lovers to " shake the yoke of inauspicious stars " and inconvenient familial attachments , and our sense of the success of those strivings may well be heightened in the degree to which , for example , we agree with Coppélia Kahn , and ...
... lovers to " shake the yoke of inauspicious stars " and inconvenient familial attachments , and our sense of the success of those strivings may well be heightened in the degree to which , for example , we agree with Coppélia Kahn , and ...
Página 229
... lovers all seek different levels and different ways of adjust- ing to time . That human nature is worse off without love is clear in the character of Jacques , who finds man's potential too severely circumscribed by time . He thinks in ...
... lovers all seek different levels and different ways of adjust- ing to time . That human nature is worse off without love is clear in the character of Jacques , who finds man's potential too severely circumscribed by time . He thinks in ...
Conteúdo
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Direitos autorais | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young