Shakespearean CriticismCengage Gale, 2002 - 432 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
De dentro do livro
Resultados 1-3 de 88
Página 177
... lines right , anachronistic though they may seem ( though many lines are cut as a favor to actors who cannot deliver them effectively and coherently ) . Unlike Zeffirelli's visually splendid but textu- ally goofy Hamlet , most of the lines ...
... lines right , anachronistic though they may seem ( though many lines are cut as a favor to actors who cannot deliver them effectively and coherently ) . Unlike Zeffirelli's visually splendid but textu- ally goofy Hamlet , most of the lines ...
Página 249
... lines or eight minutes , from the " dead midnight " of line 67 to the " almost cleere dawne " of line 227. In Hamlet I.i , precisely the same number of lines intervenes between the stroke of twelve and the time when " the Morne in ...
... lines or eight minutes , from the " dead midnight " of line 67 to the " almost cleere dawne " of line 227. In Hamlet I.i , precisely the same number of lines intervenes between the stroke of twelve and the time when " the Morne in ...
Página 250
... lines needed for the murder of the Queen represent a period twenty - four times as long as the 40 lines needed for the murder of the Princes . On this basis , Catesby's clock has been running about nine times as fast as Tyrrel's clock ...
... lines needed for the murder of the Queen represent a period twenty - four times as long as the 40 lines needed for the murder of the Princes . On this basis , Catesby's clock has been running about nine times as fast as Tyrrel's clock ...
Conteúdo
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Direitos autorais | |
9 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young