Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 60
... vision was tied to his philosophy of art , one that did not define the limits of what he called the deep of the mind . In W. B. Yeats's Abbey Theatre productions , inspiration took its course . The actors improvised on the symbols ...
... vision was tied to his philosophy of art , one that did not define the limits of what he called the deep of the mind . In W. B. Yeats's Abbey Theatre productions , inspiration took its course . The actors improvised on the symbols ...
Página 131
... Vision ( 1937 ) . He called the first stage The Vision of the Blood Kindred , and included in it " all apparitions seen at the moment of death . ” 79 He noted the second stage consisted , in part , of The Dreaming Back and The Return ...
... Vision ( 1937 ) . He called the first stage The Vision of the Blood Kindred , and included in it " all apparitions seen at the moment of death . ” 79 He noted the second stage consisted , in part , of The Dreaming Back and The Return ...
Página 214
... vision of William Blake's " generated soul . " One commentator on The Silencer , Robin Skelton , even saw it as a modern justification of Blake's vision , as well as a litany of Jack Yeats's thoughts about enduring the follies of ...
... vision of William Blake's " generated soul . " One commentator on The Silencer , Robin Skelton , even saw it as a modern justification of Blake's vision , as well as a litany of Jack Yeats's thoughts about enduring the follies of ...
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
action actor appear artist audience becomes begins body characters Collected comes communication complete consciousness created critics Cuchulain dark dead death described developed Didi dramatic dream Dublin early emotional Estragon experience expression face figure final Godot Gogo Grove Press hand Hawk's head imagination important Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp language later less letter light living London looking matter meaning memory mind mind's eye moment Mouth moved Murphy nature never noted novel objective once painting past performance picture play poet possible presence Press reality reflected represents Rose Samuel Beckett scene sense silence situation speak spectator stage standing symbol takes theater things thought tion turn University vision Vladimir voice W. B. Yeats wait White woman writing Yeats's York young