Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 47
... presence and accommodate the audience's participation in his stage picture , lessons he learned in part from Jack Yeats , Beckett's stage is static , distorted , and convoluted . The physical collapse of half the set into the pit in act ...
... presence and accommodate the audience's participation in his stage picture , lessons he learned in part from Jack Yeats , Beckett's stage is static , distorted , and convoluted . The physical collapse of half the set into the pit in act ...
Página 71
... presence just beyond conscious grasp . Existential critics and proponents of absurdist theater have followed other approaches in dealing with the troubling presence of the actor , or of the character who maintains the ghost of the actor ...
... presence just beyond conscious grasp . Existential critics and proponents of absurdist theater have followed other approaches in dealing with the troubling presence of the actor , or of the character who maintains the ghost of the actor ...
Página 75
... presence . In this sense Not I is the perfect textbook example of theatrical de- construction of possibly the most dominant myth since the age of Sig- mund Freud . The sense of presence indicated by the missing “ I ” of “ Not I " that ...
... presence . In this sense Not I is the perfect textbook example of theatrical de- construction of possibly the most dominant myth since the age of Sig- mund Freud . The sense of presence indicated by the missing “ I ” of “ Not I " that ...
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
Abbey Theatre actor artist audience Auditor Baile's Strand Beckett's art Bowsie Butler Yeats characters citations will appear Collected Plays Conall consciousness continuosity Cuchulain dark Death of Cuchulain Deathly Terrace described developed Didi dramatic dramaticules dream Dublin Eleutheria Emer emotional Essays and Introductions Estragon figure Friedman Gogo Grand Conversation Green Helmet Grove Press Hartigan Hawk's Ibid Imagination Dead Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp Krapp's Last Tape language light living London MacGreevy Macmillan Masks memory mind mind's eye Mouth Murphy myth Nardock Noh drama novel painter painting Pause playwright poet presence Proust Purgatory Pyle reality Richard Ellmann Robin Skelton Samhain Samuel Beckett scene schismatic sense silence Skelton Sligo soul spectator spectator's stage Subsequent page citations Synge theater Thomas MacGreevy tion University Press viewer vision Vladimir and Estragon voice W. B. Yeats Waiting for Godot Watt William Butler Yeats woman words York