Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 68
... performance text cannot be separated from its dramatic functions . The subjective I of the schismatic self , which in the case of the old woman is that identity associated with the near mute , is subverted by her fall in the meadow ...
... performance text cannot be separated from its dramatic functions . The subjective I of the schismatic self , which in the case of the old woman is that identity associated with the near mute , is subverted by her fall in the meadow ...
Página 114
... performance . W. B. Yeats , to the contrary , had no grand design in common with his audiences . Rather than follow a scheme , Yeats took as a model for his theater the dead warrior play ( the “ jo ” of the central “ ha ” sequence ) and ...
... performance . W. B. Yeats , to the contrary , had no grand design in common with his audiences . Rather than follow a scheme , Yeats took as a model for his theater the dead warrior play ( the “ jo ” of the central “ ha ” sequence ) and ...
Página 160
... performances of his late plays . The summons to participate , for those who dare , is an explicit element of performance of Beckett's works . The provenance of this essential element of both Beckett's dramatic art and Yeats's figural ...
... performances of his late plays . The summons to participate , for those who dare , is an explicit element of performance of Beckett's works . The provenance of this essential element of both Beckett's dramatic art and Yeats's figural ...
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
action actor appear artist audience becomes begins body characters Collected comes communication complete consciousness created critics Cuchulain dark dead death described developed Didi dramatic dream Dublin early emotional Estragon experience expression face figure final Godot Gogo Grove Press hand Hawk's head imagination important Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp language later less letter light living London looking matter meaning memory mind mind's eye moment Mouth moved Murphy nature never noted novel objective once painting past performance picture play poet possible presence Press reality reflected represents Rose Samuel Beckett scene sense silence situation speak spectator stage standing symbol takes theater things thought tion turn University vision Vladimir voice W. B. Yeats wait White woman writing Yeats's York young