Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 69
... painting technique to communicate the inner division of the self and the vortex of energies that reached out from within a subject , another painter also played a crucial role in the genesis of Not I. Beryl Fletcher hinted at the ...
... painting technique to communicate the inner division of the self and the vortex of energies that reached out from within a subject , another painter also played a crucial role in the genesis of Not I. Beryl Fletcher hinted at the ...
Página 180
... painting , and then at the canvas paper , and puts down as much as he remembers of what he saw when looking at the object.66 By 1922 , Yeats had removed his own objectivity from his painting ; by 1936 , he had removed his own ...
... painting , and then at the canvas paper , and puts down as much as he remembers of what he saw when looking at the object.66 By 1922 , Yeats had removed his own objectivity from his painting ; by 1936 , he had removed his own ...
Página 229
... painting is impossible . Jansen's inter- pretation , that Velásquez's purpose in painting Las Meninas was to show the movement of light itself and the infinite range of its effects on form and color , has nothing to do with the ...
... painting is impossible . Jansen's inter- pretation , that Velásquez's purpose in painting Las Meninas was to show the movement of light itself and the infinite range of its effects on form and color , has nothing to do with the ...
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
action actor appear artist audience becomes begins body characters Collected comes communication complete consciousness created critics Cuchulain dark dead death described developed Didi dramatic dream Dublin early emotional Estragon experience expression face figure final Godot Gogo Grove Press hand Hawk's head imagination important Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp language later less letter light living London looking matter meaning memory mind mind's eye moment Mouth moved Murphy nature never noted novel objective once painting past performance picture play poet possible presence Press reality reflected represents Rose Samuel Beckett scene sense silence situation speak spectator stage standing symbol takes theater things thought tion turn University vision Vladimir voice W. B. Yeats wait White woman writing Yeats's York young